<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xmlns:xhtml="http://www.w3.org/1999/xhtml" xmlns:video="http://www.google.com/schemas/sitemap-video/1.1">
  <url>
    <loc>https://www.tiesennotes.com/blog</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-03-23</lastmod>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/what-i-discovered-taking-my-special-needs-son-to-the-guggenheim-in-bilbao</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/af88b0d3-6826-4b2d-845c-0a57d0b2e6e5/WhatsApp+Image+2026-02-26+at+14.41.05.jpeg</image:loc>
      <image:title>Blog - What I discovered taking my Special Needs son to the Guggenheim in Bilbao - Make it stand out</image:title>
      <image:caption>The Guggenheim, Bilbao. All photographs is this article are by the author Eva Glover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/30497b42-99f3-4892-a3c2-9fa93766781b/WhatsApp+Image+2026-02-26+at+14.42.18.jpeg</image:loc>
      <image:title>Blog - What I discovered taking my Special Needs son to the Guggenheim in Bilbao - Make it stand out</image:title>
      <image:caption>Jeff Koons, Puppy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/be947294-e61f-4497-8bc3-f08271aa4077/WhatsApp+Image+2026-02-26+at+14.45.55.jpeg</image:loc>
      <image:title>Blog - What I discovered taking my Special Needs son to the Guggenheim in Bilbao - Make it stand out</image:title>
      <image:caption>The Guggenheim, Bilbao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/748c9607-375e-48ae-a29c-aa290eea3ed3/WhatsApp+Image+2026-02-26+at+14.48.47.jpeg</image:loc>
      <image:title>Blog - What I discovered taking my Special Needs son to the Guggenheim in Bilbao - Make it stand out</image:title>
      <image:caption>The Guggenheim, Bilbao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/82cfd7b5-25a5-4b22-bbd3-c00593511749/WhatsApp+Image+2026-02-26+at+15.34.17.jpeg</image:loc>
      <image:title>Blog - What I discovered taking my Special Needs son to the Guggenheim in Bilbao - Make it stand out</image:title>
      <image:caption>Richard Serra, The Matter of Time</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8b2e4b23-32a9-4a16-a4ad-a1b930cc49c7/WhatsApp+Image+2026-02-26+at+15.24.29.jpeg</image:loc>
      <image:title>Blog - What I discovered taking my Special Needs son to the Guggenheim in Bilbao - Make it stand out</image:title>
      <image:caption>Author’s children at the Guggenheim, Bilbao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0f2ca8ce-256d-469b-8bdc-27f88d816673/WhatsApp+Image+2026-03-15+at+18.36.50.jpeg</image:loc>
      <image:title>Blog - What I discovered taking my Special Needs son to the Guggenheim in Bilbao - Make it stand out</image:title>
      <image:caption>The author at the Guggenheim, Bilbao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/805f7e97-a313-47e2-a78b-84ded0a72d62/WhatsApp+Image+2026-02-26+at+15.24.01.jpeg</image:loc>
      <image:title>Blog - What I discovered taking my Special Needs son to the Guggenheim in Bilbao - Make it stand out</image:title>
      <image:caption>Author’s children with El Anatsui’s Rising Sea</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/13-must-see-art-museum-exhibitions-in-london-spring-summer-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/30354864-149b-4174-aa39-646087c536db/Evening+coat%2C+designed+by+Elsa+Schiaparelli+and+Jean+Cocteau%2C+1937%2C+London%2C+England+%C2%A9+2025+ADAGP++DACS++Comite+Cocteau%2C+Paris.+Photograph+%C2%A9+Emil+Larsson.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Evening coat, designed by Elsa Schiaparelli and Jean Cocteau, 1937, London, England © 2025 ADAGP DACS Comite Cocteau, Paris. Photograph © Emil Larsson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0176f311-5f40-458e-a621-559fbf864364/7.+Tracey+Emin%2C+The+End+of+Love+2024+%C2%A9+Tracey+Emin.+Tate..jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Tracey Emin, The End of Love 2024. Tate © Tracey Emin. All rights reserved, DACS 2026</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/26a8d137-9fbf-4a7c-a487-fbb37ebd19a2/Key+55.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Rose Wylie, Pink Skater (Will I Win, Will I Win), 2015, Oil on canvas, 208 × 329 cm (overall), Courtesy private collection and JARILAGER Gallery, Photograph courtesy Jari Lager. Photo: Soon-Hak Kwon, © Rose Wylie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a137c4c9-d2e6-4299-9cdd-5c12f7b826d4/key+9.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Michaelina Wautier, Taste, 1650. Oil on canvas, 69.5 x 61 cm. Rose-Marie and Eijk Van Otterloo Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/9a4572c8-9915-4ba2-a9fd-a6f7760b4224/Woman%27s+firefighting+jacket+and+hood.+John+C.+Weber+Collection.+Photo+%C2%A9+John+Bigelow+Taylor.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Woman's firefighting jacket and hood, Wool, satin-weave silk appliqué, and silk- and goldthread, embroidery, Japan, 1800–50, John C. Weber Collection. Photo © John Bigelow Taylor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8405fb63-377d-461c-83ff-f6ff7422d6f2/1.+Seurat%2C+Seascape+at+Port-en-Bessin%2C+Normandy%2C+1888%2C+Gift+of+the+W.+Averell+Harriman+Foundation+in+memory+of+Marie+N.+Harriman%2C+National+Gallery+of+Art%2C+Washington+D.C.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Georges Seurat (1859-1891), Seascape at Port-en-Bessin, Normandy , 1888, oil on canvas, 65.1 x 80.9cm. Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman, National Gallery of Art, Washington D.C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a1c2f7e4-31a7-43e4-856b-3aabbe42d0fa/Chiharu+Shiota%2C+The+Key+in+the+Hand%2C+2015+Installation_+old+keys%2C+wooden+boats%2C+red+wool+Japan+Pavilion+at+56th+Venice+Biennale%2C+Venice%2C+Italy+Photo+by+Sunhi+Mang+%C2%A9+DACS%2C+London%2C+2026+and+Chiharu+Shiota.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Chiharu Shiota, The Key in the Hand, 2015 Installation_ old keys, wooden boats, red wool Japan Pavilion at 56th Venice Biennale, Venice, Italy Photo by Sunhi Mang © DACS, London, 2026 and Chiharu Shiota</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a5a0ae7f-bf67-4f85-8523-4cc4db23871f/Konrad+M%C3%A4gi%2C+Norwegian+Landscape%2C+1909.+Courtesy+of+the+Art+Museum+of+Estonia.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Konrad Mägi, Norwegian Landscape, 1909. Courtesy of the Art Museum of Estonia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8bf779c1-8003-42a9-bbf5-be608a926ab4/Freud_collage_1_1.3b281d58.webp</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Lucian Freud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b0323809-4b5f-400c-9abf-f266730d5a18/Serp_Hockney_2026_006.1-1780x1001.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>David Hockney, A Year in Normandie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/654858d1-b5ce-4a8f-b3cb-021911a470b9/Wes+Anderson+at+the+Design+Museum_Photo+credit+Matt+Alexander+PA+Media+Assignments+6.JPG</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Wes Anderson at the Design Museum. Photo credit Matt Alexander/PA Media Assignments.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/476cce03-c32e-4ad8-84b7-c6973bace5f2/3.+James+McNeill+Whistler%2C+Symphony+in+White%2C+No.+2+The+Little+White+Girl.+1864.+Tate..jpeg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>James McNeill Whistler, Symphony in White, No. 2: The Little White Girl. 1864. Tate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1c7469a1-aeb3-4db5-8b79-4326dcfbbfe9/X11827-NEW-online.jpg</image:loc>
      <image:title>Blog - 13 Must-See Art Museum Exhibitions in London Spring – Summer 2026 - Make it stand out</image:title>
      <image:caption>Francisco de Zurbarán, Saint Casilda, about 1635, Oil on canvas, 171 × 107 cm, Museo Nacional Thyssen-Bornemisza, Madrid, © Museo Nacional Thyssen-Bornemisza</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/international-womens-day-special-are-women-allowed-to-make-beautiful-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/31b071a9-dfb2-4a84-b970-ca9ed6b5b72f/WhatsApp+Image+2026-02-09+at+09.46.55.jpeg</image:loc>
      <image:title>Blog - International Women’s Day special: Are women allowed to make beautiful art? - Make it stand out</image:title>
      <image:caption>All images in this article are Assel Kenzhetayeva, from the ‘Queen Pleasure’ series. Copyright Assel Kenzhetayeva.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/5a406e08-e36b-496d-9104-6072130d0d19/WhatsApp+Image+2026-02-09+at+09.46.54.jpeg</image:loc>
      <image:title>Blog - International Women’s Day special: Are women allowed to make beautiful art? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6cf8b46e-e127-450a-ac1c-8d6291222374/WhatsApp+Image+2026-02-09+at+09.46.54+%281%29.jpeg</image:loc>
      <image:title>Blog - International Women’s Day special: Are women allowed to make beautiful art? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/dee6e8d0-7c70-4f40-b90a-9c3ba18ed78b/WhatsApp+Image+2026-02-09+at+14.42.30+%281%29.jpeg</image:loc>
      <image:title>Blog - International Women’s Day special: Are women allowed to make beautiful art? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0a30801b-1cc1-4d12-91f6-f745770565bc/WhatsApp+Image+2026-02-09+at+09.48.51.jpeg</image:loc>
      <image:title>Blog - International Women’s Day special: Are women allowed to make beautiful art? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2594756b-b25a-4c88-9ff5-87e6af01e2fd/WhatsApp+Image+2026-02-09+at+14.42.30+%282%29.jpeg</image:loc>
      <image:title>Blog - International Women’s Day special: Are women allowed to make beautiful art? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/why-tracey-emins-art-is-more-about-us-than-her</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1b7bd399-aae3-46ce-8c4a-6d62f97a5cff/Portrait+of+Tracey+Emin+Tate+Modern+2026.+Photo+%C2%A9+Tate+%28Sonal+Bakrania%29.jpg</image:loc>
      <image:title>Blog - Why Tracey Emin’s art is more about us than her - Make it stand out</image:title>
      <image:caption>Portrait of Tracey Emin Tate Modern 2026. Photo © Tate (Sonal Bakrania)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/01f30e4f-5a51-48b3-abd5-f8a094c3bb5d/8.+Tracey+Emin%2C+Why+I+Never+Became+a+Dancer+1995+%C2%A9+Tracey+Emin+%28a%29.jpg</image:loc>
      <image:title>Blog - Why Tracey Emin’s art is more about us than her - Make it stand out</image:title>
      <image:caption>Tracey Emin, Why I Never Became a Dancer 1995 © Tracey Emin. All rights reserved, DACS 2026</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ac0e4d70-a200-40f8-b50f-1192bd7d68e1/Tracey+Emin+A+Second+Life+at+Tate+Modern+installation+view.+Photo+%C2%A9+Tate+%28Sonal+Bakrania%29+8.jpg</image:loc>
      <image:title>Blog - Why Tracey Emin’s art is more about us than her - Make it stand out</image:title>
      <image:caption>Tracey Emin A Second Life at Tate Modern installation view. Photo © Tate (Sonal Bakrania)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f4852054-483f-4f40-bdb7-ef0733496f3b/Tracey+Emin+A+Second+Life+at+Tate+Modern+installation+view%2C+The+Last+of+the+Gold+%282002%29.+Photo+%C2%A9+Tate+%28Sonal+Bakrania%29.jpg</image:loc>
      <image:title>Blog - Why Tracey Emin’s art is more about us than her - Make it stand out</image:title>
      <image:caption>Tracey Emin A Second Life at Tate Modern installation view, The Last of the Gold (2002). Photo © Tate (Sonal Bakrania)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/133dca91-bcaa-4db1-b65f-06f61b634459/Tracey+Emin+A+Second+Life+at+Tate+Modern+installation+view.+Photo+%C2%A9+Tate+%28Sonal+Bakrania%29+9.jpg</image:loc>
      <image:title>Blog - Why Tracey Emin’s art is more about us than her - Make it stand out</image:title>
      <image:caption>Tracey Emin A Second Life at Tate Modern installation view. Photo © Tate (Sonal Bakrania)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fcbf8f65-7dc8-4c27-aa86-dabd1faa86a9/7.+Tracey+Emin%2C+The+End+of+Love+2024+%C2%A9+Tracey+Emin.+Tate..jpg</image:loc>
      <image:title>Blog - Why Tracey Emin’s art is more about us than her - Make it stand out</image:title>
      <image:caption>Tracey Emin, The End of Love 2024. Tate © Tracey Emin. All rights reserved, DACS 2026</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/can-art-offer-an-alternative-to-meditation-apps-this-exhibition-certainly-tries</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c902482b-a199-40ee-b760-4868c52fd621/1.+Seurat%2C+Seascape+at+Port-en-Bessin%2C+Normandy%2C+1888%2C+Gift+of+the+W.+Averell+Harriman+Foundation+in+memory+of+Marie+N.+Harriman%2C+National+Gallery+of+Art%2C+Washington+D.C.jpg</image:loc>
      <image:title>Blog - Can art offer an alternative to meditation apps? This exhibition certainly tries - Make it stand out</image:title>
      <image:caption>Georges Seurat (1859-1891), Seascape at Port-en-Bessin, Normandy , 1888, oil on canvas, 65.1 x 80.9cm. Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman, National Gallery of Art, Washington D.C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f4758614-bc8b-4f1c-bb53-c55c4e1d0f59/4.+Seurat%2C+The+Beach+at+Gravelines%2C+1890%2C+The+Courtauld%2C+London+%28Samuel+Courtauld+Trust%29+%C2%A9+The+Courtauld.jpg</image:loc>
      <image:title>Blog - Can art offer an alternative to meditation apps? This exhibition certainly tries - Make it stand out</image:title>
      <image:caption>Georges Seurat (1859-1891), The Beach at Gravelines , 1890, oil on panel, 16 x 24.5cm. Courtauld Gallery, London (Samuel Courtauld Trust) ©Courtauld</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1f97f08b-0e59-4bb6-ac19-cc892d94ced7/6.+Seurat%2C+The+Channel+at+Gravelines%2C+Evening%2C+1890%2C+The+Museum+of+Modern+Art%2C+New+York.+Gift+of+Mr.+and+Mrs.+William+A.+M.+Burden%2C+1963%2C+Digital+image%2C+The+Museum+of+Modern+Art%2C+New+York+_+Scala%2C+Florence.jpg</image:loc>
      <image:title>Blog - Can art offer an alternative to meditation apps? This exhibition certainly tries - Make it stand out</image:title>
      <image:caption>Georges Seurat (1859-1891), The Channel at Gravelines, Evening, 1890, oil on canvas, The Museum of Modern Art, New York. Gift of Mr. and Mrs. William A. M. Burden, 1963, Digital image, The Museum of Modern Art, New York / Scala, Florence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/58c23e2f-9a51-4181-8bd4-4b90a20d2d90/5.+Installation+view%2C+The+Griffin+Catalyst+Exhibition_+Seurat+and+the+Sea%2C+Courtauld+Gallery.+Photo+%C2%A9%C2%A0Fergus+Carmichael.jpg</image:loc>
      <image:title>Blog - Can art offer an alternative to meditation apps? This exhibition certainly tries - Make it stand out</image:title>
      <image:caption>Installation view, The Griffin Catalyst Exhibition_ Seurat and the Sea, Courtauld Gallery. Photo © Fergus Carmichael</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/christmas-special-the-sacred-the-scientific-and-the-space-between</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/83f446cf-8ddd-4e8b-979d-8634a83eb22d/N-0725-00-000025-A5crop.jpg</image:loc>
      <image:title>Blog - Christmas Special: The Sacred, The Scientific, and the Space Between - Make it stand out</image:title>
      <image:caption>Joseph Wright 'of Derby', An Experiment on a Bird in the Air Pump, 1768, Oil on canvas, 183 x 244 cm, © The National Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f3b5b8ef-91cf-4708-a5ab-b2c4965fa2df/x12392_online.jpg</image:loc>
      <image:title>Blog - Christmas Special: The Sacred, The Scientific, and the Space Between - Make it stand out</image:title>
      <image:caption>Joseph Wright of Derby, A Philosopher Giving That Lecture on the Orrery in Which a Lamp Is Put in Place, 1764-1766, Oil on canvas, 147.3 x 203.2 cm, Derby Museum and Art Gallery (1884-168), © Derby Museums</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/249f59e2-e5f7-41f9-ba63-db41d9252b7d/WhatsApp+Image+2025-12-08+at+13.53.56+%282%29.jpeg</image:loc>
      <image:title>Blog - Christmas Special: The Sacred, The Scientific, and the Space Between - Make it stand out</image:title>
      <image:caption>Detail of Caspar David Friedrich, Winter Landscape, probably 1811, Oil on canvas, The National Gallery, London, photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b3363941-2cd1-4555-9442-fd8ea08b2532/N-1093-00-000328-pr.jpg</image:loc>
      <image:title>Blog - Christmas Special: The Sacred, The Scientific, and the Space Between - Make it stand out</image:title>
      <image:caption>Leonardo da Vinci , The Virgin of the Rocks (The Virgin with the Infant Saint John adoring the Infant Christ accompanied by an Angel), about 1491 - 1508 , (c) National Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d07abaea-a74a-41ff-b1e3-2dd2663bf609/WhatsApp+Image+2025-12-08+at+13.53.55+%281%29.jpeg</image:loc>
      <image:title>Blog - Christmas Special: The Sacred, The Scientific, and the Space Between - Make it stand out</image:title>
      <image:caption>Detail of the English or French (?), The Wilton Diptych, about 1395-9, Egg tempera on wood, The National Gallery, London, photo by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1a5e0281-a53a-443f-9e6e-47c45fd1ce9a/WhatsApp+Image+2025-12-08+at+13.53.56.jpeg</image:loc>
      <image:title>Blog - Christmas Special: The Sacred, The Scientific, and the Space Between - Make it stand out</image:title>
      <image:caption>Michelangelo, The Manchester Madonna, about 1494, Egg tempera on wood, The National Gallery, London, photo by the author</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/how-wayne-thiebaud-used-cake-to-express-both-absence-and-abundance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f60df8f8-3a0b-4e69-96e2-237189e2a845/3.+Wayne+Thiebaud%2C+Three+Machines%2C+1963%2C+Oil+on+canvas%2C+76.2+x+92.7cm%2C+Fine+Arts+Museums+of+San+Francisco+%C2%A9+Wayne+Thiebaud+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.+Image+Photograph+by+Randy+Dodson%2C+courtesy+of+the+Fine+Arts+Museums+of+San+Francisco.jpg</image:loc>
      <image:title>Blog - How Wayne Thiebaud used cake to express both absence and abundance - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud, Three Machines , 1963, Oil on canvas, 76.2 x 92.7cm, Fine Arts Museums of San Francisco © Wayne Thiebaud/VAGA at ARS, NY and DACS, London 2025. Image: Photograph by Randy Dodson, courtesy of the Fine Arts Museums of San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6a88a1ac-9749-44c1-825e-096ec14be3c4/11.+Wayne+Thiebaud%2C+1961.+Photographer+Betty+Jean+Thiebaud.+Collection+of+the+Wayne+Thiebaud+Foundation.+%C2%A9+Wayne+Thiebaud+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.jpg</image:loc>
      <image:title>Blog - How Wayne Thiebaud used cake to express both absence and abundance - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud in his studio in Sacramento with his painting Pies in the background, 1961. Photographer: Betty Jean Thiebaud. Collection of the Wayne Thiebaud Foundation. © Wayne Thiebaud/VAGA at ARS, NY and DACS, London 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fb0d3f3e-ce94-4578-ac94-965be0c96c52/1.+Wayne+Thiebaud%2C+Pie+Rows%2C+1961%2C+Oil+on+canvas%2C+46+x+66cm%2C+Collection+of+the+Wayne+Thiebaud+Foundation.+%C2%A9+Wayne+Thiebaud+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.+Image+Wayne+Thiebaud+Foundation+.jpg</image:loc>
      <image:title>Blog - How Wayne Thiebaud used cake to express both absence and abundance - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud, Pie Rows , 1961, Oil on canvas, 46 x 66cm, Collection of the Wayne Thiebaud Foundation. © Wayne Thiebaud/VAGA at ARS, NY and DACS, London 2025. Image: Wayne Thiebaud Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/795f054b-0b06-4239-993e-decfb4f39497/3.+Installation+view+of+Wayne+Thiebaud.+American+Still+Life+at+The+Courtauld+Gallery.+Photo+%C2%A9+Fergus+Carmichael+%281%29.jpg</image:loc>
      <image:title>Blog - How Wayne Thiebaud used cake to express both absence and abundance - Make it stand out</image:title>
      <image:caption>Installation view of Wayne Thiebaud. American Still Life at The Courtauld Gallery. Photo © Fergus Carmichael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/dbb7f9eb-a581-4e12-8c72-dbf3ee0030ce/5.+Wayne+Thiebaud%2C+Four+Pinball+Machines%2C+1962%2C+Oil+on+canvas%2C+172.7+x+182.8cm%2C+Private+Collection.+%C2%A9+Wayne+Thiebaud+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.+Image+Courtesy+of+Acquavella+Galleries.jpg</image:loc>
      <image:title>Blog - How Wayne Thiebaud used cake to express both absence and abundance - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud, Four Pinball Machines , 1962, Oil on canvas, 172.7 x 182.8cm, Private Collection. © Wayne Thiebaud/VAGA at ARS, NY and DACS, London 2025. Image: Courtesy of Acquavella Galleries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8d29b1f2-bc9e-44eb-92a3-8086215eddd9/7.+Wayne+Thiebaud%2C+Delicatessen+Counter%2C+1963%2C+Oil+on+canvas%2C+153.7+x+185.4+cm%2C+Private+Collection.+%C2%A9+Wayne+Thiebaud+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.+Image%3A+Julia+Featheringill+Photo.jpg</image:loc>
      <image:title>Blog - How Wayne Thiebaud used cake to express both absence and abundance - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud, Delicatessen Counter , 1963, Oil on canvas, 153.7 x 185.4 cm, Private Collection. © Wayne Thiebaud/VAGA at ARS, NY and DACS, London 2025. Image: Julia Featheringill Photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a69b86f6-0587-489b-b84c-23f827b9d12d/19.++Installation+view+of+Wayne+Thiebaud.+Delights+at+The+Courtauld+Gallery.+Photo+%C2%A9+Fergus+Carmichael.jpg</image:loc>
      <image:title>Blog - How Wayne Thiebaud used cake to express both absence and abundance - Make it stand out</image:title>
      <image:caption>Installation view of Wayne Thiebaud. Delights at The Courtauld Gallery. Photo © Fergus Carmichael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8638e174-8d89-4cfa-998f-b688d5037764/8.+Wayne+Thiebaud%2C+Caged+Pie%2C+1962%2C+Oil+on+canvas%2C+51.1+x+71.4cm%2C+%C2%A9+Wayne+Thiebaud+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.+Image+courtesy+the+San+Diego+Museum+of+Art.jpg</image:loc>
      <image:title>Blog - How Wayne Thiebaud used cake to express both absence and abundance - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud, Caged Pie, 1962, Oil on canvas, 51.1 x 71.4 cm, The San Diego Museum of Art, Museum Purchased through the Earle W. Grant Acquisition Fund. 1977.109 © Wayne Thiebaud/VAGA at ARS, NY and DACS, London 2025. Image courtesy the San Diego Museum of Art</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/from-beautiful-to-horrendous-how-lee-miller-used-photography-to-record-an-extraordinary-era</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/05705218-4804-42ff-9991-7290fc79410e/3.+Lee+Miller%2C+Model+Elizabeth+Cowell+wearing+Digby+Morton+suit%2C+London+1941.+Lee+Miller+Archives.jpg</image:loc>
      <image:title>Blog - From Beautiful to Horrendous: how Lee Miller used photography to record an extraordinary era - Make it stand out</image:title>
      <image:caption>Lee Miller, Model Elizabeth Cowell wearing Digby Morton suit, London 1941. Lee Miller Archives © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/75bf1214-1ac5-4cef-932d-167962b58afd/Installation+Photography+of+Lee+Miller+at+Tate+Britain%2C+2+October+2025+%E2%80%93+15+February+2026+1.jpeg</image:loc>
      <image:title>Blog - From Beautiful to Horrendous: how Lee Miller used photography to record an extraordinary era - Make it stand out</image:title>
      <image:caption>Installation Photography of Lee Miller at Tate Britain, 2 October 2025 – 15 February 2026. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk. Photo © Tate (Sonal Bakrania).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f7ebfdd4-d671-4d51-bc6e-37f84bc75706/4.+Lee+Miller%2C+Untitled%2C+Paris+1930.+Lee+Miller+Archives.+%C2%A9+Lee+Miller+Archives%2C+England+2025.+All+rights+reserved.+leemiller.co.uk.jpg</image:loc>
      <image:title>Blog - From Beautiful to Horrendous: how Lee Miller used photography to record an extraordinary era - Make it stand out</image:title>
      <image:caption>Lee Miller, Untitled, Paris 1930. Lee Miller Archives. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/57b6a19a-7017-4214-bea6-b6f1d567183e/1.+Lee+Miller%2C+Portrait+of+Space%2C+Al+Bulwayeb+near+Siwa+1937.+Lee+Miller+Archives.+%C2%A9+Lee+Miller+Archives%2C+England+2025.+All+rights+reserved.+leemiller.co.uk.jpg</image:loc>
      <image:title>Blog - From Beautiful to Horrendous: how Lee Miller used photography to record an extraordinary era - Make it stand out</image:title>
      <image:caption>Lee Miller, Portrait of Space, Al Bulwayeb near Siwa 1937. Lee Miller Archives. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e674e900-d2c4-4fb1-94ee-9e3db6aa0f3d/2.+Lee+Miller%2C+David+E.+Scherman+dressed+for+war%2C+London+1942.+Lee+Miller+Archives.+%C2%A9+Lee+Miller+Archives%2C+England+2025.+All+rights+reserved.+leemiller.co.uk.jpg</image:loc>
      <image:title>Blog - From Beautiful to Horrendous: how Lee Miller used photography to record an extraordinary era - Make it stand out</image:title>
      <image:caption>Lee Miller, David E. Scherman dressed for war, London 1942. Lee Miller Archives. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e57d48ab-fbb1-4c32-bfbe-f8d04454fdd4/Installation+Photography+of+Lee+Miller+at+Tate+Britain%2C+2+October+2025+%E2%80%93+15+February+2026+7.jpeg</image:loc>
      <image:title>Blog - From Beautiful to Horrendous: how Lee Miller used photography to record an extraordinary era - Make it stand out</image:title>
      <image:caption>Installation Photography of Lee Miller at Tate Britain, 2 October 2025 – 15 February 2026. © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk. Photo © Tate (Sonal Bakrania).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/queens-and-cakes-top-8-museum-exhibitions-opening-in-london-in-september-and-october-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a108821e-02d1-4e06-911a-ad330a50eeb9/x12496_online.jpg</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Georges Seurat (1859 - 1891), The Channel of Gravelines, an Evening, 1890, Oil on canvas, 65.4 x 81.9 cm, The Museum of Modern Art, New York, Gift of Mr. and Mrs. William A. M. Burden 785.1963, © Digital image, The Museum of Modern Art, New York/Scala, Florence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d5ba14d3-9cb2-4e05-9b2f-f0cdbf3aa4d9/x12455_online.jpg</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Henry van de Velde (1863-1957), Twilight, about 1889, Oil on canvas, 45.2 x 60 cm, Collection Kröller-Müller Museum, Otterlo, the Netherlands (KM 106.502), © DACS 2025 / Collection Kröller-Müller Museum, Otterlo, the Netherlands. Photographer: Rik Klein Gotink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/153b349d-4b62-4462-a795-494acc738035/key+38.jpg</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Kerry James Marshall, School of Beauty, School of Culture, 2012. Acrylic and glitter on unstretched canvas, 274.3 x 401.3 cm. Collection of the Birmingham Museum of Art, Alabama; Museum purchase with funds provided by Elizabeth (Bibby) Smith, the Collectors Circle for Contemporary Art, Jane Comer, the Sankofa Society, and general acquisition funds, 2012.57. © Kerry James Marshall. Courtesy of the artist and Jack Shainman Gallery, New York. Photo: Sean Pathasema</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/73e6088c-2a39-4999-a67f-dd8305b94dbd/Soutaja%2C+1981%2C+Lea+Ignatius+Reproduced+by+permission+of+the+artist%27s+estate+%C2%A9+The+Trustees+of+the+British+Museum.jpg</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Soutaja, 1981, Lea Ignatius, Reproduced by permission of the artist's estate © The Trustees of the British Museum, Colour etching</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1de36be9-9ef7-4ed0-a5ee-937c929516da/The+Acrobat%2C+1935%2C+Musee+National+Picasso+Paris.+%28c%29+Succession+Picasso.+%28c%29+GrandPalaisRmn.jpg</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Pablo Picasso, The Acrobat, 1930. Paris, Musée National Picasso-Paris. © RMN-Grand Palais (Musée national Picasso-Paris) / Adrien Didierjean © Succession Picasso/DACS, London 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0f976bb3-7e44-4cd6-bc45-575007c1891f/Lee_Miller_Model_Elizabeth_Cowell_Wearing_Dig.width-1200.jpg</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Lee Miller, Model Elizabeth Cowell, part of the Lee Miller exhibition at Tate Britain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ffb6710f-310c-4937-b160-a2983dc7875e/%28C%29+Victoria+and+Albert+Museum%2C+London+%2817%29.JPG</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Installation image, Marie Antoinette Style, Victoria and Albert Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/55714dfe-9cc8-49dc-b4f9-c7fb3b19beaa/EXH.2025.WT_.006_A70345_XBD_s-1-600x0-c-default.jpg</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud (1920 - 2021), Cakes, 1963, oil on canvas, National Gallery of Art, Washington, copyright Wayne Thiebaud/VAGA at ARS, NY and Dacs, London 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3c08ec08-e5d3-41ba-9fc2-415d5f929f20/Audrey+Hepburn+in+costume+for+My+Fair+Lady%2C+1963.+Original+colour+transparency.+The+Cecil+Beaton+Archive%2C+London..jpeg</image:loc>
      <image:title>Blog - Queens and cakes: Top 8 Museum Exhibitions opening in London in September and October 2025 - Make it stand out</image:title>
      <image:caption>Audrey Hepburn in costume for My Fair Lady, 1963. Original colour transparency. The Cecil Beaton Archive, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/what-your-art-teacher-didnt-want-to-say</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/53e13bd5-8c8e-4925-bfff-e6b6cf43e408/Picture+10.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say - Make it stand out</image:title>
      <image:caption>Gustav Klimt, The Kiss, Belvedere Museum in Vienna, Austria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c3c06fde-5e21-4a07-91b5-4478ab0c1036/Picture+1.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say - Make it stand out</image:title>
      <image:caption>Sandro Botticelli, Birth of Venus, Uffizi Galleries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/162c2348-1a61-4288-a16a-a9b91dde3afb/Picture+2.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say - Make it stand out</image:title>
      <image:caption>Cranach Lucas the Elder, Venus and Cupid with a Honeycomb, Galleria Borghese</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758290458978-QTE1ZFV0D0LE3Q47D0SR/WhatsApp+Image+2025-09-18+at+23.51.26+%281%29.jpeg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758205076160-M44IDKQWSM7OCREIQP6Y/Picture+4.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758205086474-NLD5RKRYSUDT9JZGBNFZ/Picture+5.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758205165559-UYDXJKZ99KJKFNE372W3/Picture+6.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758205183921-HOW5ON3JJ839YS13T44F/Picture+7.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758205193958-0KSGY8LE3456F4BZ808I/Picture+8.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758290633827-OXOYZW33LCI4X1XO6OK9/WhatsApp+Image+2025-09-19+at+09.08.00.jpeg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758205254885-9NH766C2840UJD097W47/Picture+9.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758205266099-UFDXBIYBIOKVLSTZE5GT/Picture+11.jpg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758290808894-6MVLLSWQONK9J4GVUUBW/WhatsApp+Image+2025-09-19+at+09.08.00+copy.jpeg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1758290689598-ZDMRO1UDBMJCQPQI47M6/WhatsApp+Image+2025-09-18+at+23.51.26.jpeg</image:loc>
      <image:title>Blog - What Your Art Teacher Didn’t Want To Say</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/sculptures-by-the-sea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/506fa601-9f36-41cf-9a64-6a859de5462f/Dubuffet.webp</image:loc>
      <image:title>Blog - Sculptures by the sea - Make it stand out</image:title>
      <image:caption>Jean Dubuffet, Manoir d’Essor, 1969-1982, Louisiana Museum of Modern Art. Photo by @photographybyktb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ace44da9-8b2c-486c-bf8f-a7ac4f11ad73/Lousiana+Collage.webp</image:loc>
      <image:title>Blog - Sculptures by the sea - Make it stand out</image:title>
      <image:caption>Louisiana Museum of Modern Art, photos by @photographybyktb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4c28507d-e7f1-4922-ace0-f66d9f450d03/Louisiana+2.webp</image:loc>
      <image:title>Blog - Sculptures by the sea - Make it stand out</image:title>
      <image:caption>Louisiana Museum of Modern Art. Photos by @photographybyktb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4f1211ba-1e72-4101-916d-fc9f0f6c204a/Arp.webp</image:loc>
      <image:title>Blog - Sculptures by the sea - Make it stand out</image:title>
      <image:caption>Sculpture by Jean Arp. Louisiana Museum of Modern Art. Photo by @photographybyktb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/de0e50ad-a1a5-4663-b8de-b5b693283bbb/DeadDrunkDanes.webp</image:loc>
      <image:title>Blog - Sculptures by the sea - Make it stand out</image:title>
      <image:caption>Asger Jorn, Dead Drunk Danes, 1960. Louisiana Museum of Modern Art. Photo by @photographybyktb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0d0785cb-2211-49a8-9d5f-fd22e8682c01/Heerup.webp</image:loc>
      <image:title>Blog - Sculptures by the sea - Make it stand out</image:title>
      <image:caption>Sculpture by Henry Heerup, Louisiana Museum of Modern Art. Photo by @photographybyktb</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/two-for-the-price-one-do-artist-pairings-ever-worknbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/9b2ec7c2-07bd-431e-baca-d8393321b492/Key+8.jpg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, Field with Irises near Arles, 1888. Oil on canvas, 54 x 65 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6659cdff-9c19-4983-82db-675a74db5c32/Key+19.jpg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, La Crau Seen from Montmajour, 1888. Pencil, pen and reed pen and ink, on paper, 49 x 61 cm. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4e84d505-df88-43cc-854a-df7aed449094/Key+46.jpg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Anselm Kiefer, Untitled, 1963. Graphite and ballpoint pen on paper, 23.6 x 29.8 cm. Private collection. Photo: Georges Poncet. © Anselm Kiefer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/aac88bc7-1845-449a-b81a-a1cd2beb51b8/Key+27.jpg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Anselm Kiefer, The Crows (Die Krähen), 2019. Emulsion, oil, acrylic, shellac, gold leaf, straw and clay on canvas, 280 x 760 cm. Courtesy of the artist and White Cube. Photo: Georges Poncet. © Anselm Kiefer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fc28272b-2ffd-49d4-abf5-0f49aa1b9d64/Key+28.jpg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Anselm Kiefer, The Starry Night (De sterrennacht), 2019. Emulsion, oil, acrylic, shellac, straw, gold leaf, wood, wire and sediment of electrolysis on canvas, 470 × 840 cm. Courtesy of the artist and White Cube. Photo: Georges Poncet. © Anselm Kiefer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ace56617-59d2-4865-991c-4d16bc4b9e76/1994-0046-05-MI.jpeg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Alberto GIACOMETTI, Trois hommes qui marchent [petit plateau], Three Walking Men [Small Square], 1948, Bronze, 76 x 32,7 x 34,1 cm, Fondation Giacometti</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2dcfd9a5-6bfe-4c7a-891a-8a7cf30cf007/HumaBhabha004.jpg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Encounters: Giacometti x Huma Bhabha, Installation view, Barbican Art Gallery, Thursday 8 May - Sunday 10 August 2025, © Max Creasy/ Barbican Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ee3b6f8d-9c31-48fe-9523-6b1af3f1e3e3/DSCF0245.jpg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Encounters: Giacometti x Huma Bhabha, Installation view, Barbican Art Gallery, Thursday 8 May - Sunday 10 August 2025, © Max Creasy/ Barbican Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/9f69d5ac-f90f-48f2-a7ee-303076198c84/BHAHU0468_V1.jpeg</image:loc>
      <image:title>Blog - Two for the price of one: do artist pairings ever work?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Huma Bhabha, Feel the Hammer, 2024, Patinated bronze, 96 x 40 x 39 1/4 inches, 243.8 x 101.6 x 99.7 cm, Edition 1 of 3, 1 AP, Signed, dated, numbered, and foundry stamped, BHAHU0468.1, Photo Credit: Kerry McFate, Courtesy of the artist and David Zwirner Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/who-brought-dicks-and-tits-to-the-courtauld</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/05a66178-abf9-4cf6-be33-a7cb962bdf81/01.+Louise+Bourgeois%2C+Tits%2C+1967.+The+Easton+Foundation%2C+New+York.+%C2%A9+The+Easton+Foundation%2C+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.+Photo_+Christopher+Burke.jpg</image:loc>
      <image:title>Blog - Who brought dicks and tits to the Courtauld? - Make it stand out</image:title>
      <image:caption>Louise Bourgeois, Tits, 1967. The Easton Foundation, New York. © The Easton Foundation, VAGA at ARS, NY and DACS, London 2025. Photo_ Christopher Burke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b2659550-9273-4f0f-97d2-b2738ff6a443/7.+Installation+view+of+Abstract+Erotic%2C+The+Courtauld+%C2%A9+Fergus+Carmichael.jpg</image:loc>
      <image:title>Blog - Who brought dicks and tits to the Courtauld? - Make it stand out</image:title>
      <image:caption>Installation view of Abstract Erotic, The Courtauld © Fergus Carmichael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/9fc39301-566b-41d2-8e86-bfdf143a7af3/12.+Installation+view+of+Abstract+Erotic%2C+The+Courtauld+%C2%A9+Fergus+Carmichael.jpg</image:loc>
      <image:title>Blog - Who brought dicks and tits to the Courtauld? - Make it stand out</image:title>
      <image:caption>Installation view of Abstract Erotic, The Courtauld © Fergus Carmichael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a4b622d0-8cbb-44cc-851d-2dbd04c4d5b8/6.+Installation+view+of+Abstract+Erotic%2C+The+Courtauld+%C2%A9+Fergus+Carmichael.jpg</image:loc>
      <image:title>Blog - Who brought dicks and tits to the Courtauld? - Make it stand out</image:title>
      <image:caption>Installation view of Abstract Erotic, The Courtauld © Fergus Carmichael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/21f214be-a69d-4bb3-abbd-5980591263fb/8.+Installation+view+of+Abstract+Erotic%2C+The+Courtauld+%C2%A9+Fergus+Carmichael.jpg</image:loc>
      <image:title>Blog - Who brought dicks and tits to the Courtauld? - Make it stand out</image:title>
      <image:caption>Installation view of Abstract Erotic, The Courtauld © Fergus Carmichael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4cd2a62e-2938-45d0-90d6-f302210dc526/14.+Installation+view+of+Abstract+Erotic%2C+The+Courtauld+%C2%A9+Fergus+Carmichael.jpg</image:loc>
      <image:title>Blog - Who brought dicks and tits to the Courtauld? - Make it stand out</image:title>
      <image:caption>Installation view of Abstract Erotic, The Courtauld © Fergus Carmichael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f117a68a-e2ee-4c8b-8d35-3abce3ca074b/04.+Louise+Bourgeois%2C+Hanging+Janus%2C+1968.+The+Easton+Foundation%2C+New+York.+%C2%A9+The+Easton+Foundation%2C+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.+Photo_+Christopher+Burke.jpg</image:loc>
      <image:title>Blog - Who brought dicks and tits to the Courtauld? - Make it stand out</image:title>
      <image:caption>Louise Bourgeois, Hanging Janus, 1968. The Easton Foundation, New York. © The Easton Foundation, VAGA at ARS, NY and DACS, London 2025. Photo_ Christopher Burke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2c1d303e-ff89-4b35-8151-ccee9cd6fe5a/14.+Louise+Bourgeois%2C+Untitled%2C+1971.+The+Easton+Foundation%2C+New+York.+%C2%A9+The+Easton+Foundation%2C+VAGA+at+ARS%2C+NY+and+DACS%2C+London+2025.+Photo_+Christopher+Burke.jpg</image:loc>
      <image:title>Blog - Who brought dicks and tits to the Courtauld? - Make it stand out</image:title>
      <image:caption>Louise Bourgeois, Untitled, 1971. The Easton Foundation, New York. © The Easton Foundation, VAGA at ARS, NY and DACS, London 2025. Photo_ Christopher Burke</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/from-edo-to-instagram-why-hiroshiges-japan-still-captivates-us-200-years-later</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/375c3ad7-77ba-4074-b726-73a80aa04cab/Seba+from+the+69+Stations+of+the+Kiso+Highway%2C+late+1830s+By+Utagawa+Hiroshige++%C2%A9+The+Trustees+of+the+British+Museum.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>Seba from The 69 Stations of the Kiso Highway, late 1830s. By Utagawa Hiroshige (1797—1858). Colour-woodblock print. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f781dade-5978-4928-b54e-be621dcd46ca/T%C5%8Dkaid%C5%8D+Autumn+Moon-+Restaurants+at+Kanagawa%2C+Musashi+Province+about+1839+%C2%A9+Alan+Medaugh.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>Tōkaidō Autumn Moon: Restaurants at Kanagawa, Musashi Province, about 1839. By Utagawa Hiroshige (1797—1858). Colour-woodblock print. Collection of Alan Medaugh © Alan Medaugh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/df6bc821-340c-4c80-9bf7-d328bbdfe1e0/Cherry+Blossoms+on+a+Moonless+Night+along+the+Sumida+River%2C+1847-8+%C2%A9+Alan+Medaugh.+Photography+by+Ryoko+Matsuba+.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>Cherry Blossoms on a Moonless Night along the Sumida River, 1847-8. By Utagawa Hiroshige (1797—1858). Colour-woodblock print triptych. Gift from the collection of Alan Medaugh to the American Friends of the British Museum. © Alan Medaugh. Photography by Matsuba Ryōko</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ea780d24-7a8c-4f03-ac1d-309c81d39883/Evening+View+of+the+Eight+Scenic+Spots+of+Kanazawa+in+Musashi+Province%2C+1857+%C2%A9+Alan+Medaugh.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>Evening View of the Eight Scenic Spots of Kanazawa in Musashi Province, 1857. By Utagawa Hiroshige (1797—1858). Colour-woodblock print triptych. Collection of Alan Medaugh © Alan Medaugh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/40d3d86b-c5f8-460f-b4c9-b4e42b7530c5/Ferry+on+the+Fuji+River%2C+Suruga+Province+from+Famous+Places+in+Japan%2C+c.+1832++%C2%A9+The+Trustees+of+the+British+Museum.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>Ferry on the Fuji River, Suruga Province from Famous Places in Japan, c. 1832. By Utagawa Hiroshige (1797—1858). Colour-woodblock print. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/576db1fb-5526-4363-8860-9a1b65e275ff/Nihonbashi+-+Morning+Scene%2C+from+The+53+Stations+of+the+T%C5%8Dkaid%C5%8D%2C+c.+1833-35++%C2%A9+The+Trustees+of+the+British+Museum+.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>Nihonbashi - Morning Scene, from The 53 Stations of the Tōkaidō, c. 1833-35. By Utagawa Hiroshige (1797—1858). Colour-woodblock print. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/965fcd8f-400c-4a31-92ee-de5e5c3944db/Please+Read+Credit+Sheet+%C2%A9+Alan+Medaugh.+Photography+by+Ryoko+Matsuba+.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>Crane and asters (early 1830s) [left], Three geese and full moon (early 1830s) [centre], Pheasant and chrysanthemums (early 1830s) [right]. By Utagawa Hiroshige (1797—1858). Colour-woodblock prints. Left: Gift from the collection of Alan Medaugh to the American Friends of the British Museum, Centre and right: Collection of Alan Medaugh, © Alan Medaugh. Photography by Matsuba Ryōko</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4f8a9791-35df-4aa5-8de3-d9fb370a7bd0/Seba+from+The+69+Stations+of+the+Kiso+Highway%2C+late+1830s+%C2%A9+Alan+Medaugh.+Photography+by+Ryoko+Matsuba+.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>Pleasure Boats at Ryōgoku in the Eastern Capital, 1832-4. By Utagawa Hiroshige (1797—1858). Colour-woodblock print triptych. Collection of Alan Medaugh © Alan Medaugh. Photography by Matsuba Ryōko</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/271ddb38-7454-477d-9e93-fd560ae14218/The+Plum+Garden+at+Kameido+from+100+Famous+Views+of+Edo%2C+1857+%C2%A9+Alan+Medaugh.+Photography+by+Ryoko+Matsuba+.jpg</image:loc>
      <image:title>Blog - From Edo to Instagram: Why Hiroshige’s Japan Still Captivates Us, 200 Years Later - Make it stand out</image:title>
      <image:caption>The Plum Garden at Kameido from 100 Famous Views of Edo, 1857. By Utagawa Hiroshige (1797—1858). Colour-woodblock print. Collection of Alan Medaugh © Alan Medaugh. Photography by Matsuba Ryōko</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/how-many-homes-can-you-carry-in-your-heartnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/03fd67bc-262a-4e1f-accb-42565ea690b2/Do+Ho+Suh%2C+Haunting+Home%2C+2023.+Courtesy+of+the+artist%2C+Lehmann+Maupin%2C+New+York%2C+Seoul+and+London%2C+Victoria+Miro+and+Singapore+Tyler+Print+Institute.+%C2%A9+Do+Ho+Suh.jpeg</image:loc>
      <image:title>Blog - How many homes can you carry in your heart?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Haunting Home, 2019. Courtesy of the artist, Lehmann Maupin, New York, Seoul and London, Victoria Miro and STPI - Creative Workshop &amp; Gallery. © Do Ho Suh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2736ff0b-681c-4dd4-94a7-a1b8cea21e99/The+Genesis+Exhibition+Do+Ho+Suh+Walk+the+House+installation+view.+Photo+%C2%A9+Tate+%28Sonal+Bakrania%29_2.jpg</image:loc>
      <image:title>Blog - How many homes can you carry in your heart?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul, 2024, installation view, The Genesis Exhibition: Do Ho Suh: Walk the House. Courtesy the Artist, Lehmann Maupin New York, Seoul and London and Victoria Miro.  Creation supported by Genesis. © Do Ho Suh. Photo © Tate (Sonal Bakrania)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a911fe78-c1c5-48be-a87b-70ff7f4097f8/The+Genesis+Exhibition+Do+Ho+Suh+Walk+the+House+installation+view.+Photo+%C2%A9+Tate+%28Sonal+Bakrania%29%E2%80%AF_3.JPG</image:loc>
      <image:title>Blog - How many homes can you carry in your heart?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Nest/s, 2024, installation view, The Genesis Exhibition: Do Ho Suh: Walk the House. Courtesy the Artist, Lehmann Maupin New York, Seoul and London and Victoria Miro. Creation supported by Genesis. © Do Ho Suh. Photo © Tate (Sonal Bakrania)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f10311b1-ef4e-4325-9d64-4fa02fd2a6db/WhatsApp+Image+2025-05-07+at+09.48.36.jpeg</image:loc>
      <image:title>Blog - How many homes can you carry in your heart?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Home Within Home (1/9 Scale), 2025, Resin. Photo AT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/527a49eb-b1e2-4927-84ce-4e2bbae027c2/The+Genesis+Exhibition+Do+Ho+Suh+at+Tate+Modern+%C2%A9+Tate+Photography+%28Jai+Monaghan%29.jpg</image:loc>
      <image:title>Blog - How many homes can you carry in your heart?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Rubbing/Loving Project: Seoul Home, 2013-2022, installation view, The Genesis Exhibition: Do Ho Suh: Walk the House. Courtesy the Artist, Lehmann Maupin New York, Seoul and London and Victoria Miro. Repurposing supported by Genesis. © Do Ho Suh. Photo © Tate (Jai Monaghan)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/506e2c35-e3a7-4ca8-b6e6-47fe57b48cf4/Do+Ho+Suh%2C+Perfect+Home%2C+2024+%28Detail%29.+Photography+by+Jeon+Taeg+Su.+Courtesy+of+the+artist.+%C2%A9+Do+Ho+Suh.jpeg</image:loc>
      <image:title>Blog - How many homes can you carry in your heart?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul, 2024 (detail), Polyester, stainless steel, 455 x 575 x 1237 cm, Courtesy the Artist, Lehmann Maupin New York, Seoul and London and Victoria Miro., Photography by Jeon Taeg Su, © Do Ho Suh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/319d253b-1a82-45e0-9832-c13e0f88bd73/The+Genesis+Exhibition+Do+Ho+Suh+at+Tate+Modern+%C2%A9+Tate+Photography+%28Jai+Monaghan%29+%284%29.jpg</image:loc>
      <image:title>Blog - How many homes can you carry in your heart?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Staircase 2016, installation view, The Genesis Exhibition: Do Ho Suh: Walk the House. Courtesy the Artist, Lehmann Maupin New York, Seoul and London and Victoria Miro. © Do Ho Suh. Photo © Tate (Jai Monaghan)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/08cfe19d-d810-47a5-be49-f9a7fecb184b/WhatsApp+Image+2025-05-07+at+09.47.58.jpeg</image:loc>
      <image:title>Blog - How many homes can you carry in your heart?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Possessed, 2024, ink on paper, Private Collection. Photo AT</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/the-artist-who-fused-science-history-and-national-identity-in-sun-drenched-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/044ad9a3-4e62-4663-a5e2-e6fb00f94d9e/X12231_NEW-A5c.jpg</image:loc>
      <image:title>Blog - The artist who fused science, history and national identity in sun-drenched landscapes - Make it stand out</image:title>
      <image:caption>José María Velasco, The Valley of Mexico from the Hill of Santa Isabel, 1877, Oil on canvas, 161 × 228.5 cm, Museo Nacional de Arte, INBAL, Mexico City, © Reproducción autorizada por el Instituto Nacional de Bellas Artes y Literatura. Photo: Francisco Kochen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4626d6ed-87d7-4493-8f9f-debf75abde65/X12239_NEW-A5c.jpg</image:loc>
      <image:title>Blog - The artist who fused science, history and national identity in sun-drenched landscapes - Make it stand out</image:title>
      <image:caption>José María Velasco, Cardón, State of Oaxaca, 1887, Oil on canvas, 61 × 46 cm, Museo Nacional de Arte, INBAL, Mexico City, © Reproducción autorizada por el Instituto Nacional de Bellas Artes y Literatura. Photo: Francisco Kochen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1efee860-124f-475f-aa4e-fed6d9343946/X12242_NEW-A5c.jpg</image:loc>
      <image:title>Blog - The artist who fused science, history and national identity in sun-drenched landscapes - Make it stand out</image:title>
      <image:caption>José María Velasco, Rocks, 1894, Oil on canvas, 163 × 105.5 cm, Museo Nacional de Arte, INBAL, Mexico City, © Reproducción autorizada por el Instituto Nacional de Bellas Artes y Literatura, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/77a490a9-69d2-4690-9c14-ce4b6c0b7dfb/X12426_NEW-A5c.jpg</image:loc>
      <image:title>Blog - The artist who fused science, history and national identity in sun-drenched landscapes - Make it stand out</image:title>
      <image:caption>José María Velasco, Study of a nopal cactus, date unknown, Pencil and coloured pencil on paper, 29.3 × 41.5 cm, Museo Nacional de Arte, INBAL, Mexico City, © Reproducción autorizada por el Instituto Nacional de Bellas Artes y Literatura. Photo: Francisco Kochen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d74a285a-f55a-46be-9755-2d0130542d3b/X12246-A5c.jpg</image:loc>
      <image:title>Blog - The artist who fused science, history and national identity in sun-drenched landscapes - Make it stand out</image:title>
      <image:caption>José María Velasco, The Great Comet of 1882, 1910, Oil on canvas, 121 × 81 cm, Acervo del Gobierno del Estado de Veracruz, © Secretaría de Cultura de Veracruz, Colección Museo de Arte del Estado de Veracruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3233062f-745e-4493-9eda-426bc60624e1/X12243_NEW-A5c.jpg</image:loc>
      <image:title>Blog - The artist who fused science, history and national identity in sun-drenched landscapes - Make it stand out</image:title>
      <image:caption>José María Velasco, The Textile Mill of La Carolina, Puebla, 1887, Oil on canvas, 76.6 × 107.8 cm, National Museum of the Czech Republic, Prague, © The National Museum of the Czech Republic, Prague. Photo: Denisa Dimitrovova</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/what-the-author-of-les-misrables-did-when-he-wasnt-writing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c3c5b4ee-42ce-4174-bc81-b37bae423750/key+77.jpg</image:loc>
      <image:title>Blog - What the author of Les Misérables did when he wasn’t writing - Make it stand out</image:title>
      <image:caption>Victor Hugo, Octopus, 1866–69. Brown ink and wash and graphite on paper, 24 x 20.7 cm. Bibliothèque nationale de France, Département des Manuscrits</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/187b5a37-f868-41f0-b55e-59494d2c7e6c/key+43.jpg</image:loc>
      <image:title>Blog - What the author of Les Misérables did when he wasn’t writing - Make it stand out</image:title>
      <image:caption>Victor Hugo, The Town of Vianden, with Stone Cross, 1871. Brown and black ink, brown and purple wash, graphite and varnish on paper, 25 x 34.5 cm. Bibliothèque nationale de France, Département des Manuscrits</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/66b64c02-aab0-4454-ad64-ca5ee6e7dc9c/key+6.jpg</image:loc>
      <image:title>Blog - What the author of Les Misérables did when he wasn’t writing - Make it stand out</image:title>
      <image:caption>Victor Hugo, The Town of Vianden Seen Through a Spider’s Web, 1871. Brown ink and wash, and blue watercolour over graphite on paper, 25.5 x 30.3 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7dba34dc-ec28-42a1-8846-0d9c0e596165/key+38.jpg</image:loc>
      <image:title>Blog - What the author of Les Misérables did when he wasn’t writing - Make it stand out</image:title>
      <image:caption>Victor Hugo, The Cheerful Castle, c. 1847. Pen, brown and black ink and wash, crayon on cardboard, 15.8 x 22.2 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6e72935c-3aaa-4c9d-8585-ba6512774a17/key+8.jpg</image:loc>
      <image:title>Blog - What the author of Les Misérables did when he wasn’t writing - Make it stand out</image:title>
      <image:caption>Victor Hugo, Mushroom, 1850. Pen, brown ink and wash, charcoal, crayon, green, red and white gouache on paper, 47.4 x 60.8 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b793456d-3a9f-4f1d-afe0-4570378901ce/key+81.jpg</image:loc>
      <image:title>Blog - What the author of Les Misérables did when he wasn’t writing - Make it stand out</image:title>
      <image:caption>Victor Hugo, The Lighthouse at Casquets, Guernsey, 1866, Brown ink and wash, black crayon, black chalk and white gouache on paper, 89.8 x 48 cm. Photo: CCØ Paris Musées / Maison de Victor Hugo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7ed19c01-5867-446e-8069-1cb3497ffa33/WhatsApp+Image+2025-03-24+at+13.29.47.jpeg</image:loc>
      <image:title>Blog - What the author of Les Misérables did when he wasn’t writing - Make it stand out</image:title>
      <image:caption>Victor Hugo, Taches-Planètes, c. 1850, brown ink and wash on paper, Musée de Louvre, Paris, Département des Arts Graphiques. Photo Tiesennotes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ed5c1861-528d-44b8-8a03-48cc28589e37/key+64.jpg</image:loc>
      <image:title>Blog - What the author of Les Misérables did when he wasn’t writing - Make it stand out</image:title>
      <image:caption>Victor Hugo, Mirror with Birds, 1870. Hand-painted and inscribed wooden frame, oil paint, varnish, 70 x 65 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/who-was-the-artist-behind-the-scream</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e9c9b002-3010-4712-a737-ab8d478a7c49/MUNCH-25.jpg</image:loc>
      <image:title>Blog - Who was the artist behind The Scream? - Make it stand out</image:title>
      <image:caption>A visitor observes Hans Jæger (1889) by Edvard Munch, displayed as part of the exhibition Edvard Munch Portraits at the National Portrait Gallery. Copyright David Parry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0bddd0f9-b58a-43d7-88b4-5a4668ca3905/Munch+NPG+Tiesennotes+1.jpeg</image:loc>
      <image:title>Blog - Who was the artist behind The Scream? - Make it stand out</image:title>
      <image:caption>Edvard Munch, Karen Bjølstad, 1885-6, Oil on canvas, Kode Bergen Art Museum. Photo Tiesennotes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8c4681d7-c430-4840-b9ba-1ecbd1212252/Munch+NPG+Tiesennotes+2.jpeg</image:loc>
      <image:title>Blog - Who was the artist behind The Scream? - Make it stand out</image:title>
      <image:caption>Edvard Munch, Aase and Harald Nørregaard, 1899, Oil on canvas, The National Museum of Art, Architecture and Design, Oslo. Photo Tiesennotes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1388d536-6fd0-4cb6-9262-a5826f0e8205/MUNCH-1.jpg</image:loc>
      <image:title>Blog - Who was the artist behind The Scream? - Make it stand out</image:title>
      <image:caption>A visitor observes Felix Auerbach (1906) by Edvard Munch, displayed as part of the exhibition Edvard Munch Portraits at the National Portrait Gallery. Copyright David Parry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/40582c99-b4f4-4195-9f01-3e8cad8936a5/Munch+NPG+Tiesennotes+3.jpeg</image:loc>
      <image:title>Blog - Who was the artist behind The Scream? - Make it stand out</image:title>
      <image:caption>Edvard Munch, Ernest Thiel, 1907, Oil on canvas, Thielska Galleriet, Stockholm. Photo Tiesennotes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8d6dcc38-23b6-46b1-8d7e-e12a53cdd4f6/Munch+NPG+Tiesennotes+4.jpeg</image:loc>
      <image:title>Blog - Who was the artist behind The Scream? - Make it stand out</image:title>
      <image:caption>Edvard Munch, Henriette Olsen, 1932, Oil on canvas, Siem Group. Photo Tiesennotes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/61a6e3c7-c197-4ee3-a91e-110bd65dec5c/MUNCH-6.jpg</image:loc>
      <image:title>Blog - Who was the artist behind The Scream? - Make it stand out</image:title>
      <image:caption>A visitor observes Jappe Nilssen (1909) by Edvard Munch, displayed as part of the exhibition Edvard Munch Portraits at the National Portrait Gallery. Copyright David Parry.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/fifty-years-the-changed-art-forever</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/771ab18b-8421-494c-92c3-54322d8045fd/x10739-A5.jpg</image:loc>
      <image:title>Blog - Fifty years that changed art forever - Make it stand out</image:title>
      <image:caption>Simone Martini, Christ Discovered in the Temple, 1342, Tempera on panel, 49.5 x 35.1 cm (with engaged frame), National Museums Liverpool, Walker Art Gallery (2787), Presented by the Liverpool Royal Institution 1948, © National Museums Liverpool, X10739</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/5d424bef-4532-4fbd-8f50-ac7c632eee16/x10822-A5.jpg</image:loc>
      <image:title>Blog - Fifty years that changed art forever - Make it stand out</image:title>
      <image:caption>Duccio, The Virgin and Child, about 1290-1300, Tempera on poplar, 27.9 x 21 cm, The Metropolitan Museum of Art, New York, Purchase, Rogers Fund, Walter and Leonore Annenberg and The Annenberg Foundation Gift, Lila Acheson Wallace Gift, Annette de la Renta Gift, Harris Brisbane Dick, Fletcher, Louis V. Bell, and Dodge Funds, Joseph Pulitzer Bequest, several members of The Chairman's Council Gifts, Elaine L. Rosenberg and Stephenson Family Foundation Gifts, 2003 Benefit Fund, and other gifts and funds from various donors, 2004 (2004.442), © The Metropolitan Museum of Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ac854cc7-237f-48e3-957b-97630ba97d4a/x10742-A5.jpg</image:loc>
      <image:title>Blog - Fifty years that changed art forever - Make it stand out</image:title>
      <image:caption>Duccio, Triptych with the Crucifixion, Saint Nicholas, Saint Clement and the Redeemer with Angels 1311-18, Tempera and gold on wood, 61 x 39.4 cm (central panel, with engaged frame); 45.1 x 19.4 cm (left wing, with engaged frame); 45.1 x 20.2 cm (right wing, with engaged frame), Museum of Fine Arts, Boston, Grant Walker and Charles Potter Kling Funds (45.880), © Museum of Fine Arts, Boston, Massachusetts, X10742</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d1931a58-ff5b-4bd3-982c-785653c880a3/X10725.jpg</image:loc>
      <image:title>Blog - Fifty years that changed art forever - Make it stand out</image:title>
      <image:caption>X10725, Duccio Maestà - Panels, 1308-11, Christ and the Woman of Samaria, Tempera and gold on panel, 43.5 x 46 cm, Museo Thyssen-Bornemisza, Madrid (133 (1971.7)), © Copyright Museo Thyssen-Bornemisza, Madrid</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4f82506b-7539-4b0b-b86a-bf230a53bfd4/x10740-A5.jpg</image:loc>
      <image:title>Blog - Fifty years that changed art forever - Make it stand out</image:title>
      <image:caption>Simone Martini, Saint Luke, about 1326-30, Tempera on panel, 67.5 x 48.3 cm (with engaged frame), The J. Paul Getty Museum, Los Angeles (82.PB.72), Digital image courtesy of the Getty's Open Content Program., X10740</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4fd7947b-c2b7-47a2-bcaa-2d8df44cbfde/x10667-A5.jpg</image:loc>
      <image:title>Blog - Fifty years that changed art forever - Make it stand out</image:title>
      <image:caption>Simone Martini, The Crucifixion, about 1326-34, Tempera on poplar, 29.6 x 20.5 cm (with engaged frame), Collection KMSKA - Flemish Community (public domain) (259), © Collection KMSKA - Flemish Community / photo Hugo Maertens, X10667</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fe80d9eb-d3f3-4838-9b91-c47128f50ab2/x11005-A5.jpg</image:loc>
      <image:title>Blog - Fifty years that changed art forever - Make it stand out</image:title>
      <image:caption>Ambrogio Lorenzetti, Madonna del Latte, about 1325, Tempera on panel, 96 x 49.1 cm, Arcidiocesi di Siena - Colle di Val d’Elsa - Montalcino, Museo Diocesano, Siena, © Foto Studio Lensini Siena, X11005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0d745246-74be-484d-9cda-55a463206f97/x10717-A5.jpg</image:loc>
      <image:title>Blog - Fifty years that changed art forever - Make it stand out</image:title>
      <image:caption>Pietro Lorenzetti, Birth of the Virgin, 1335-42, Tempera on panel, 182 x 187 cm, Museo dell'Opera della Metropolitana, Siena, © Foto Studio Lensini Siena</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/9-must-see-london-exhibitions-in-spring-and-summer-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2c05fd40-54ad-4945-90e9-9ba304efbac0/3.+Vincent+van+Gogh%2C+The+Courtyard+of+the+Hospital+at+Arles%2C+1889.jpg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, The Courtyard of the Hospital at Arles, 1889, Oil on canvas, 73 x 92 cm. Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/07048fe6-c964-4343-a2d8-27c183a4fa18/Munch+NPG.jpeg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>Edvard Munch, Hans Jæger, 1889. © Nasjonalmuseet for kunst, arkitektur og design, The Fine Art Collections. Photo: Nasjonalmuseet/Børre Høstland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/10e21659-6778-42ad-9a67-4bb99052922f/x10751-A5.jpg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>Duccio, The Temptation of Christ on the Mountain, about 1308-11, 1927.1.35, Tempera on poplar, 43.2 x 46 cm. The Frick Collection, New York, Purchase 1927 (1927.1.35), © Copyright The Frick Collection / photo Michael Bodycomb, X10751</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/51d61671-55d2-4eb6-b748-cb8190edf064/key+81.jpg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>Victor Hugo, The Lighthouse at Casquets, Guernsey, 1866, Brown ink and wash, black crayon, black chalk and white gouache on paper, 89.8 x 48 cm. Photo: CCØ Paris Musées / Maison de Victor Hugo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/97b16abe-1c4c-444a-8b8a-e88902728bf6/Grayson+Perry+%28c%29+Richard+Ansett%2C+shot+exclusively+for+the+Wallace+Collection%2C+London.jpg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>Grayson Perry © Richard Ansett, shot exclusively for the Wallace Collection, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/211b097e-ed1f-4f77-bdcb-8f50e82fe530/Bandeau+in+Tutti+Frutti+style%2C+English+Art+Works+for+Cartier+London%2C+1928.+Emeralds%2C+rubies%2C+sapphires%2C+diamonds+and+platinum+%C2%A9+Victoria+and+Albert+Museum%2C+London.jpg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>Mountbatten Bandeau in Tutti Frutti style, English Art Works for Cartier London, 1928. Emeralds, rubies, sapphires, diamonds and platinum © Victoria and Albert Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/eeb8ce8e-3774-483c-bbcd-58417b1ddc96/Seba+from+the+69+Stations+of+the+Kiso+Highway%2C+late+1830s+By+Utagawa+Hiroshige++%C2%A9+The+Trustees+of+the+British+Museum.jpg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>Seba from The 69 Stations of the Kiso Highway, late 1830s, by Utagawa Hiroshige (1797—1858), Colour-woodblock print, © The Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e812b566-1af3-4f6e-8a18-b4652c606083/Do+Ho+Suh+Nests%2C+2024.+%28detail%29+Courtesy+the+Artist+and+Lehmann+Maupin+New+York%2C+Seoul+and+London+Photography+by+Jeon+Taeg+Su+%C2%A9+Do+Ho+Suh.jpeg.jpeg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>Do Ho Suh, Nest/s, 2024 (detail), Polyester, stainless steel, 410.1 x 375.4 x 2148.7 cm, Courtesy the Artist and Lehmann Maupin New York, Seoul and London, Photography by Jeon Taeg Su, © Do Ho Suh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/bc625479-82c5-4a58-8609-06674b75c661/Barbican+Encounters.jpeg</image:loc>
      <image:title>Blog - 9 must-see London exhibitions in spring and summer 2025 - Make it stand out</image:title>
      <image:caption>L: Alberto Giacometti, Femme debout [Standing Woman], 1957, Foundation Giacometti © Succession Alberto Giacometti / Adagp, Paris 2025. R: Huma Bhabha, Mask of Dimitrios, 2019. Image credit: Daniel Perez. Courtesy of the artist and David Zwirner Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/a-textbook-guide-to-brazilian-modernism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/06adb5b9-0770-46ae-a42f-676c71b398ee/RA+Brasil+Brasil-12.jpg</image:loc>
      <image:title>Blog - A textbook guide to Brazilian modernism - Make it stand out</image:title>
      <image:caption>Installation view of the ‘Brasil! Brasil! The Birth of Modernism' exhibition at the Royal Academy of Arts, London (23 January - 21 April 2025). Photo © Royal Academy of Arts, London / David Parry. ©️ Tarsila do Amaral S/A</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8e5a5d03-cae4-4f92-8f4b-9d96f2ad9037/RA+Brasil+Brasil-66.jpg</image:loc>
      <image:title>Blog - A textbook guide to Brazilian modernism - Make it stand out</image:title>
      <image:caption>Installation view of the ‘Brasil! Brasil! The Birth of Modernism' exhibition at the Royal Academy of Arts, London (23 January - 21 April 2025), showing Djanira, Three Orishas, 1966, Collection of the Pinacoteca do Estado de São Paulo. Photo © Royal Academy of Arts, London / David Parry. © Instituto Pintora Djanira</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a171610f-3fb1-4fac-865a-c6c871adcb33/WhatsApp+Image+2025-02-10+at+19.16.04.jpeg</image:loc>
      <image:title>Blog - A textbook guide to Brazilian modernism - Make it stand out</image:title>
      <image:caption>Lasar Segall, Lucy with Flower, 1939-42, Oil on canvas, National Galleries of Scotland. Presented by the British Council in 1945, in recognition of collaboration in a series of exhibitions arranged during the 1939-1945 War. Photo by AT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/85ec6bdd-a129-489b-96c2-aa47c6757bdd/RA+Brasil+Brasil-29.jpg</image:loc>
      <image:title>Blog - A textbook guide to Brazilian modernism - Make it stand out</image:title>
      <image:caption>Installation view of the ‘Brasil! Brasil! The Birth of Modernism' exhibition at the Royal Academy of Arts, London (23 January - 21 April 2025). Photo © Royal Academy of Arts, London / David Parry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f411293b-946b-4897-9ead-6085fd01d7ec/WhatsApp+Image+2025-02-10+at+19.16.04+%284%29.jpeg</image:loc>
      <image:title>Blog - A textbook guide to Brazilian modernism - Make it stand out</image:title>
      <image:caption>Tarsila do Amaral, Second Class, 1933, Oil on canvas, Fanny Feffer Private Collection. Photo by AT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/84fef0bc-12af-43b8-8518-be098c22aa9d/RA+Brasil+Brasil-97.jpg</image:loc>
      <image:title>Blog - A textbook guide to Brazilian modernism - Make it stand out</image:title>
      <image:caption>Installation view of the ‘Brasil! Brasil! The Birth of Modernism' exhibition at the Royal Academy of Arts, London (23 January - 21 April 2025), showing Djanira, Flying a Kite, 1950, Banco Itaú Collection. Photo © Royal Academy of Arts, London / David Parry. © Instituto Pintora Djanira.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6764a27b-3947-4412-9a44-fc205007a3c3/WhatsApp+Image+2025-02-10+at+19.16.04+%286%29.jpeg</image:loc>
      <image:title>Blog - A textbook guide to Brazilian modernism - Make it stand out</image:title>
      <image:caption>Alfredo Volpi, Façade, 1963. Tempera on canvas. Collection of Airton Queiroz, Fortaleza, Ceará. Photo by AT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8bc1799d-a456-4cb3-b024-e71b62ad93f1/RA+Brasil+Brasil-53.jpg</image:loc>
      <image:title>Blog - A textbook guide to Brazilian modernism - Make it stand out</image:title>
      <image:caption>Installation view of the ‘Brasil! Brasil! The Birth of Modernism' exhibition at the Royal Academy of Arts, London (23 January - 21 April 2025), showing Vicente do Rego Monteiro, Archer, 1925, Private collection, São Paulo, Brazil. Photo © Royal Academy of Arts, London / David Parry. © Vicente do Rego Monteiro</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/new-york-city-museums-and-galleries-off-the-beaten-track</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d88b6870-6dfb-458f-bb1d-3e0ad5340e2a/Met+Cloisters.jpeg</image:loc>
      <image:title>Blog - New York City museums and galleries off the beaten track - Make it stand out</image:title>
      <image:caption>View of the Met Cloisters, photograph by Aliya de Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2e49b03e-040c-40ea-ae31-0f722e5d8242/Met+Cloisters+1.jpeg</image:loc>
      <image:title>Blog - New York City museums and galleries off the beaten track - Make it stand out</image:title>
      <image:caption>One of the Unicorn Tapestries at the Cloisters, photograph by Aliya de Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/540a9bea-f1e6-4d11-a192-3b00ab7ba66c/2410_NeueGalerie_Klimt_Exhibition_270.jpg</image:loc>
      <image:title>Blog - New York City museums and galleries off the beaten track - Make it stand out</image:title>
      <image:caption>Klimt Room at the Neue Galerie. Image courtesy Neue Galerie New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/211ee5da-5712-47ee-ad1f-e94fce1d516b/Morgan+Library.jpeg</image:loc>
      <image:title>Blog - New York City museums and galleries off the beaten track - Make it stand out</image:title>
      <image:caption>The Morgan Library, photo by Aliya de Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3f7bc8f1-f3c2-4414-a422-37574b74a248/FIT.jpeg</image:loc>
      <image:title>Blog - New York City museums and galleries off the beaten track - Make it stand out</image:title>
      <image:caption>Cotton patchwork gown, 2024, by Abrima Erwiah and Rosario Dawson for Studio 189 at the Museum at FIT. Photograph by Aliya de Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fcc0fe89-fdfb-4781-9a40-bccbf7c2c47e/Dia+Beacon.jpeg</image:loc>
      <image:title>Blog - New York City museums and galleries off the beaten track - Make it stand out</image:title>
      <image:caption>Dia Beacon with a work by Richard Serra, photograph by Aliya de Tiesenhausen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/is-the-turner-prize-having-a-mid-life-crisis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f90f95b9-e94f-4da8-a853-53d7ec627310/Jasleen+Kaur%2C+Alter+Altar%2C+2023+%283%29.jpg</image:loc>
      <image:title>Blog - Is the Turner Prize having a mid-life crisis? - Make it stand out</image:title>
      <image:caption>Installation view of Jasleen Kaur, Alter Altar at Tramway, Glasgow 2023. Courtesy of Tramway and Glasgow Life. Photo: Keith Hunter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8a88f39a-44c2-412e-9652-4588cc819561/Pio+Abad%2C+I+am+singing%2C+2023+%284%29.jpg</image:loc>
      <image:title>Blog - Is the Turner Prize having a mid-life crisis? - Make it stand out</image:title>
      <image:caption>Pio Abad, I am singing a song that can only be borne after losing a country, 2023. Red coloured pencil and carbon transfer on heritage wood free paper, 2400 x 1750 mm. Courtesy the artist © Pio Abad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0fc8df7c-ce9a-49ee-9d03-d1601d6022bd/thumbnail_IMG_3821.jpg</image:loc>
      <image:title>Blog - Is the Turner Prize having a mid-life crisis? - Make it stand out</image:title>
      <image:caption>Installation view of Pio Abad's room at Turner Prize 2024, Tate Britain. Photo by Aliya de Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f3b28dcb-5fa8-4cfa-840c-f1575280fe3d/thumbnail_IMG_3861.jpg</image:loc>
      <image:title>Blog - Is the Turner Prize having a mid-life crisis? - Make it stand out</image:title>
      <image:caption>Installation view of Jasleen Kaur's room at Turner Prize 2024, Tate Britain. Photo by Aliya de Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/29a03d51-2e1d-4281-a78e-49f25d4af78f/thumbnail_IMG_3855.jpg</image:loc>
      <image:title>Blog - Is the Turner Prize having a mid-life crisis? - Make it stand out</image:title>
      <image:caption>Installation view of Delaine Le Bas's room at Turner Prize 2024, Tate Britain. Photo by Aliya de Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/cb1ffc54-4219-4fb9-b500-59e50ee820f2/thumbnail_IMG_3849.jpg</image:loc>
      <image:title>Blog - Is the Turner Prize having a mid-life crisis? - Make it stand out</image:title>
      <image:caption>Claudette Johnson, Friends in Green + Red on Yellow, 2023. Oil paint, oil pastel and oil stick on paper. Private collection. Photo by Aliya de Tiesenhausen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/was-vincent-van-gogh-a-genius-or-just-a-hard-worker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/bb40fde8-15bf-40c5-a322-cbad27d09bfb/x11405_print.jpg</image:loc>
      <image:title>Blog - Was Vincent van Gogh a genius or just a hard worker? - Make it stand out</image:title>
      <image:caption>Vincent Van Gogh, Self-Portrait, 1889, Oil on canvas, 57.8 × 44.5 cm, National Gallery of Art, Washington, Collection of Mr. and Mrs. John Hay Whitney, 1998.74.5, Image Courtesy National Gallery of Art, Washington</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c0f97ecc-36bc-4a79-bde3-b6bab218040d/X11387_print.jpg</image:loc>
      <image:title>Blog - Was Vincent van Gogh a genius or just a hard worker? - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, Olive Grove, 1889, Oil on canvas, 73 × 93 cm, Gothenburg Museum of Art, Sweden, © Photo: Gothenburg Museum of Art / Hossein Sehatlou</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/07fa588f-103a-4c53-ae57-384105c82d68/N-3863-00-000094-A5.jpg</image:loc>
      <image:title>Blog - Was Vincent van Gogh a genius or just a hard worker? - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, Sunflowers, 1888, Oil on canvas, 92.1 × 73 cm, © The National Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4457bd0a-da91-42d5-a4df-497a0c78e10f/X11434_NEW-A5.jpg</image:loc>
      <image:title>Blog - Was Vincent van Gogh a genius or just a hard worker? - Make it stand out</image:title>
      <image:caption>The Sower, 1888, Oil on canvas, 73 × 92 cm, Sammlung Emil Bührle, on long-term loan at Kunsthaus Zürich, Photo © Kunsthaus Zürich</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6a7398f7-fc09-493a-9baa-e95eb587dd00/X11230_print2.jpg</image:loc>
      <image:title>Blog - Was Vincent van Gogh a genius or just a hard worker? - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, Starry Night over the Rhône, 1888, Oil on canvas, 72.5 × 92 cm, Musée d’Orsay, Paris, Donation sous réserve d'usufruit de M. et Mme Robert Kahn-Sriber, en souvenir de M. et Mme Fernand Moch, 1975, Photo © Musée d'Orsay, Dist. RMN-Grand Palais / Patrice Schmidt</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/yinka-shonibare-is-making-difficult-subjects-accessible-again</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6f4a8a3d-0413-448c-b1c8-09fddbb73947/C536-1-9920_XXX.jpg</image:loc>
      <image:title>Blog - Yinka Shonibare is making difficult subjects accessible, again - Make it stand out</image:title>
      <image:caption>Yinka Shonibare CBE: Suspended States, 2024. Installation view, Serpentine South. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/81f712f1-6f9f-48a9-8ae6-e0bf72c556c5/C536-1-10049.jpg</image:loc>
      <image:title>Blog - Yinka Shonibare is making difficult subjects accessible, again - Make it stand out</image:title>
      <image:caption>Yinka Shonibare CBE: Suspended States, 2024. Installation view, Serpentine South. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c56a818d-62fe-45a6-b6f5-12c6cefdca1c/C536-1-9953.jpg</image:loc>
      <image:title>Blog - Yinka Shonibare is making difficult subjects accessible, again - Make it stand out</image:title>
      <image:caption>Yinka Shonibare CBE: Suspended States, 2024. Installation view, Serpentine South. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4dfac422-fcdf-4a99-84f4-b2f5feb63d4b/Sanctuary-City-Chiswick-House-8.jpg</image:loc>
      <image:title>Blog - Yinka Shonibare is making difficult subjects accessible, again - Make it stand out</image:title>
      <image:caption>Sanctuary City (Chiswick Women’s Refuge), 2024. Courtesy Yinka Shonibare CBE and Goodman Gallery, Cape Town, Johannesburg, London and New York; James Cohan Gallery, New York; and Stephen Friedman Gallery, London and New York. Photo: © Stephen White &amp; Co</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/913ec2ea-70e2-4058-827c-e7c32fb37db4/C536-1-10338_XXX.jpg</image:loc>
      <image:title>Blog - Yinka Shonibare is making difficult subjects accessible, again - Make it stand out</image:title>
      <image:caption>Yinka Shonibare CBE: Suspended States, 2024. Installation view, Serpentine South. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e93dd778-4136-410b-afb8-238efef02b7f/War-Library-15.jpg</image:loc>
      <image:title>Blog - Yinka Shonibare is making difficult subjects accessible, again - Make it stand out</image:title>
      <image:caption>The War Library, 2024 [detail]. Courtesy Yinka Shonibare CBE and Goodman Gallery, Cape Town, Johannesburg, London and New York; James Cohan Gallery, New York; and Stephen Friedman Gallery, London and New York. Photo: © Stephen White &amp; Co.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/when-women-werent-allowed-to-make-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f3d5ab43-8062-41f6-8d55-5d296f9073dd/02+Dame+Ethel+Walker%2C+Decoration+The+Excursion+of+Nausicaa%2C+1920.+Photo+Tate.jpeg</image:loc>
      <image:title>Blog - When women weren’t allowed to make art - Make it stand out</image:title>
      <image:caption>Dame Ethel Walker, Decoration The Excursion of Nausicaa, 1920. Photo: Tate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/415381b1-e97f-4901-967b-370aa8a38f74/23+Louise+Jopling%2C+A+Modern+Cinderella%2C+1875.+Private+Collection.jpg</image:loc>
      <image:title>Blog - When women weren’t allowed to make art - Make it stand out</image:title>
      <image:caption>Louise Jopling, A Modern Cinderella, 1875. Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3f826cd1-5874-482b-b00c-155686f87f0d/06+Joan+Carlile%2C+Portrait+of+an+Unknown+Lady%2C+1650-5.+Photo+Tate.jpeg</image:loc>
      <image:title>Blog - When women weren’t allowed to make art - Make it stand out</image:title>
      <image:caption>Joan Carlile, Portrait of an Unknown Lady, 1650-5. Photo Tate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0e0c2d37-83de-4d9d-ab07-1e5b31cffa05/03+Julia+Margaret+Cameron%2C+Mountain+Nymph%2C+Sweet+Liberty%2C+1865.+Wilson+Centre.jpg</image:loc>
      <image:title>Blog - When women weren’t allowed to make art - Make it stand out</image:title>
      <image:caption>Julia Margaret Cameron, Mountain Nymph, Sweet Liberty, 1865. Wilson Centre of Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4f8f876b-e9dc-407c-b0cd-e6e219e29dab/10+Artemisia+Gentileschi%2C+Self-Portrait+as+the+Allegory+of+Painting+%28La+Pittura%29%2C+c.1638-1639.jpg</image:loc>
      <image:title>Blog - When women weren’t allowed to make art - Make it stand out</image:title>
      <image:caption>Artemisia Gentileschi, Self-Portrait as the Allegory of Painting (La Pittura), c.1638-1639. Royal Collection Trust / © His Majesty King Charles III 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f86e4955-ba1f-4e4d-a29f-c634802bfe5c/01+Angelica+Kauffman%2C+R.A%2C+Colouring+1778-80+%C2%A9+Royal+Academy+of+Arts%2C+London.+Photographer+John+Hammond.jpg</image:loc>
      <image:title>Blog - When women weren’t allowed to make art - Make it stand out</image:title>
      <image:caption>Angelica Kauffman, R.A, Colouring, 1778-80 © Royal Academy of Arts, London. Photographer: John Hammond</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8672125f-2924-4d45-bdca-a7900cdbd916/09+Vanessa+Bell%2C+Still+Life+on+Corner+of+a+Mantelpiece%2C+1914.+Tate.jpg</image:loc>
      <image:title>Blog - When women weren’t allowed to make art - Make it stand out</image:title>
      <image:caption>Vanessa Bell, Still Life on Corner of a Mantelpiece, 1914. Tate © Estate of Vanessa Bell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0c0cf2eb-20e9-409c-9875-2dfa1e242c55/05+Gwen+John%2C+Self-Portrait%2C+1902.+Photo+Tate+%28Mark+Heathcote+and+Samuel+Cole%29.jpeg</image:loc>
      <image:title>Blog - When women weren’t allowed to make art - Make it stand out</image:title>
      <image:caption>Gwen John, Self-Portrait, 1902. Photo Tate (Mark Heathcote and Samuel Cole)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/7-unmissable-art-exhibitions-to-see-in-london-in-summer-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b83e5029-9c9b-4ee1-8621-91c460ce2def/Wassily+Kandinsky%2C+Riding+Couple%2C+1906-1907.+Lenbachhaus+Munich%2C+Donation+of+Gabriele+M%C3%BCnter%2C+1957.jpg</image:loc>
      <image:title>Blog - 7 unmissable art exhibitions to see in London in Summer 2024 - Make it stand out</image:title>
      <image:caption>Wassily Kandinsky, Riding Couple, 1906-1907. Lenbachhaus Munich, Donation of Gabriele Münter, 1957</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d9dc139a-5e75-4d1e-8333-cf49af43ce8e/05+Gwen+John%2C+Self-Portrait%2C+1902.+Photo+Tate+%28Mark+Heathcote+and+Samuel+Cole%29.jpeg</image:loc>
      <image:title>Blog - 7 unmissable art exhibitions to see in London in Summer 2024 - Make it stand out</image:title>
      <image:caption>Gwen John, Self-Portrait, 1902. Photo Tate (Mark Heathcote and Samuel Cole)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3682bc48-de45-4b72-a50a-fced8f7778b3/X5173_online.jpg</image:loc>
      <image:title>Blog - 7 unmissable art exhibitions to see in London in Summer 2024 - Make it stand out</image:title>
      <image:caption>Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, Oil on canvas , 143 x 180 cm, Intesa Sanpaolo Collection, Gallerie d’Italia - Napoli, © Archivio Patrimonio Artistico Intesa Sanpaolo / foto Luciano Pedicini, Napoli, x5173</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/cd03e50a-6b84-482e-8966-27ff2c8cc6ed/yuchywium59xao27vk7v.jpeg</image:loc>
      <image:title>Blog - 7 unmissable art exhibitions to see in London in Summer 2024 - Make it stand out</image:title>
      <image:caption>Installation view of the Summer Exhibition 2022 at the Royal Academy of Arts, London, 21 June – 21 August 2022, Photo: © Royal Academy of Arts, London / David Parry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0bf9da1b-38be-4d22-96c0-dd4d0c92d5a5/Michelangelo+-+the+punishment+of+Tityus+-+Royal+Collection+Trust+_+%C2%A9+His+Majesty+King+Charles+III+2024..jpg</image:loc>
      <image:title>Blog - 7 unmissable art exhibitions to see in London in Summer 2024 - Make it stand out</image:title>
      <image:caption>Michelangelo, The punishment of Tityus, Royal Collection Trust, © His Majesty King Charles III 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/36e28a15-1af6-496d-a178-5c0ce5b5192c/%28Photo+by+Dave+BenettGetty+Images+for+the+Victoria+%26+Albert+Museum%29+%282%29.JPG</image:loc>
      <image:title>Blog - 7 unmissable art exhibitions to see in London in Summer 2024 - Make it stand out</image:title>
      <image:caption>Photo by Dave BenettGetty Images for the Victoria &amp; Albert Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e8950fc5-ac99-4780-b5d4-628c2f0d14b4/Yoshida+Chizuko%2C+Tenryuji+Garden.jpg</image:loc>
      <image:title>Blog - 7 unmissable art exhibitions to see in London in Summer 2024 - Make it stand out</image:title>
      <image:caption>Yoshida Chizuko, Tenryuji Garden, 1953, Private Collection, Photograph by Mareo Suemasa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/what-made-the-tudors-look-so-cool</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/26c52fd4-303e-4eee-bde7-5538b8f0f70d/RC_QG_Holbein_091123_36.jpg</image:loc>
      <image:title>Blog - What made the Tudors look so cool? - Make it stand out</image:title>
      <image:caption>Royal Collection Trust / © His Majesty King Charles III 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/07517832-194d-4d22-8d23-d44a4191d812/912189.jpg</image:loc>
      <image:title>Blog - What made the Tudors look so cool? - Make it stand out</image:title>
      <image:caption>Hans Holbein the Younger, Anne Boleyn, 1532–6. Royal Collection Trust / © His Majesty King Charles III 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/da62a367-40fd-4fde-a854-8ebe0c4bdd9e/912268.jpg</image:loc>
      <image:title>Blog - What made the Tudors look so cool? - Make it stand out</image:title>
      <image:caption>Hans Holbein the Younger, Sir Thomas More, 1527. Royal Collection Trust / © His Majesty King Charles III 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8a6fd35a-11e4-412c-ab8b-1935fb26acfd/RC_QG_Holbein_091123_17.jpg</image:loc>
      <image:title>Blog - What made the Tudors look so cool? - Make it stand out</image:title>
      <image:caption>Royal Collection Trust / © His Majesty King Charles III 2023.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/9-must-see-exhibitions-opening-in-february-2024-in-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/298d07cf-d31b-4c8c-a0f9-ea40d8d29b81/Tara+Donovan%2C+Untitled+%28Mylar%29%2C+2011_2018.+Mylar+and+hot+glue.+Dimensions+Variable.+Installation+view%2C+MCA+Denver.+Photo_+Christopher+Burke.+Courtesy+the+artist+and+Pace+Gallery..jpg</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>Tara Donovan, Untitled (Mylar), 2011_2018. Mylar and hot glue. Dimensions Variable. Installation view, MCA Denver. Photo_ Christopher Burke. Courtesy the artist and Pace Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0999ddfb-45e7-4f63-a78f-3a7254a34ac2/BKR_LACMA_2022_01-copy.jpg</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>Barbara Kruger, Barbara Kruger: Thinking of You. I Mean Me. I Mean You., Installation view, Los Angeles County Museum of Art – LACMA, Los Angeles, March 20-July 17, 2022, Courtesy the artist and Sprüth Magers, Photo: Museum Associates/LACMA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/102409c6-cc7e-49ae-9a46-b87613d7f61a/DyRdLH1E.jpeg</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>Teresa Margolles, american Juju for the Tapestry of Truth, 2015 Courtesy the artist and Galerie Peter Kilchmann, Zurich/ Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b7d3542d-d6c0-4d1f-805e-0bf0e0995651/Frank+Auerbach+%28b.1931%29%2C+Head+of+Julia+II%2C+1960%2C+Charcoal+and+chalk+on+paper.+Private+Collection+%C2%A9+the+artist%2C+courtesy+of+Frankie+Rossi+Art+Projects%2C+London.jpg</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>Frank Auerbach (b.1931), Head of Julia II, 1960, Charcoal and chalk on paper. Private Collection © the artist, courtesy of Frankie Rossi Art Projects, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/85ac719b-63e9-47d4-9bcc-ff8cc7d1887d/Sunrise.jpg</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>Mónica de Miranda, Sun rise (detail), 2023, inkjet print on cotton paper. Courtesy of the artist and Sabrina Amrani Gallery, Madrid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/bbdef061-29a4-44d4-8e29-1181327a9e45/Key+116.jpg</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>Kara Walker Hon RA, no world, from An Unpeopled Land in Uncharted Waters, 2010, Etching with aquatint, sugar-lift, spit-bite and drypoint on paper, 68.6 x 99.1 cm, British Museum, London, © Kara Walker, courtesy of Sikkema Jenkins &amp; Co. and Sprüth Magers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/25eb160f-9080-4455-8b8f-eabf95c24317/11.+John+Singer+Sargent%2C+Lady+Helen+Vincent%2C+Viscountess+d%27Abernon%2C+1904+Birrmingham+Museum+of+Art.+Photo+Sean+Pathasema.jpg</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>John Singer Sargent, Lady Helen Vincent, Viscountess d'Abernon, 1904, Oil paint on canvas; 158.8 x 108.0 cm, Collection of the Birmingham Museum of Art, Alabama; Museum purchase with funds provided by John Bohorfoush, the 1984 Museum Dinner and Ball, and the Museum Store, Photo Sean Pathasema</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1bfb262e-3bff-4ca2-bd25-70409c898c35/Yoko+Ono%2C+Add+color+%28Refugee+boat%29.jpg</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>Yoko Ono, Add Colour (Refugee Boat), 2016, at MAXXI Foundation. Photo © Musacchio, Ianniello &amp; Pasqualini</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e3973bd0-40bb-41ac-8725-fa22e5caca71/Roman+scutum+%28shield%29+-+Yale+University+Art+Gallery%2C+Yale-French+Excavations+at+Dura-Europos.png</image:loc>
      <image:title>Blog - 9 must-see exhibitions opening in February 2024 in London - Make it stand out</image:title>
      <image:caption>Roman scutum (shield) - Yale University Art Gallery, Yale-French Excavations at Dura-Europos</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/where-can-you-find-guaranteed-snow-and-ice-in-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/17fa6561-17fb-42d4-b648-065c2143ce70/N-6607-00-000013-wpu.jpg</image:loc>
      <image:title>Blog - Where can you find guaranteed snow and ice in London? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4d6dd58f-b16b-4ce3-9e54-ba43be2f58c6/N-1346-00-000038-wpu.jpg</image:loc>
      <image:title>Blog - Where can you find guaranteed snow and ice in London? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a159a2d3-abe5-4e29-8709-e4fc26f618af/N-4138-00-000022-wpu.jpg</image:loc>
      <image:title>Blog - Where can you find guaranteed snow and ice in London? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a689e7d8-b4ce-4b0f-ba8f-a4317c3f3ff7/N-1479-00-000028-wpu.jpg</image:loc>
      <image:title>Blog - Where can you find guaranteed snow and ice in London? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e6c93285-2f0e-4af1-8cc9-8b5d3a832f6a/N-6351-00-000022-wpu.jpg</image:loc>
      <image:title>Blog - Where can you find guaranteed snow and ice in London? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/24230b0d-937e-49bd-92c9-8c0366e5b3ed/N-6517-00-000041-wpu.jpg</image:loc>
      <image:title>Blog - Where can you find guaranteed snow and ice in London? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/how-did-the-impressionists-turn-humble-works-on-paper-into-fine-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f2ada291-81ac-460d-b765-dfc3f7c6d20a/key+7.jpg</image:loc>
      <image:title>Blog - How did the Impressionists turn humble works on paper into fine art? - Make it stand out</image:title>
      <image:caption>Edgar Degas, Dancers on a Bench, c. 1898. Pastel on tracing paper, 53.7 x 75.6 cm. Lent by Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council.  Bequeathed by William McInnes, 1944. Photo: © CSG CIC Glasgow Museums Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/80253e61-295f-4626-a6a3-a798a51012fa/key+257.jpg</image:loc>
      <image:title>Blog - How did the Impressionists turn humble works on paper into fine art? - Make it stand out</image:title>
      <image:caption>Mary Cassatt, Portrait de Marie-Thérèse Gaillard, 1894. Pastel on paper, 51 x 54 cm. Private collection. Photo: © 2007 Christie’s Images Limited</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/18760cd9-dc03-47e9-bb23-7b052d81f5ad/thumbnail_IMG_6555.jpg</image:loc>
      <image:title>Blog - How did the Impressionists turn humble works on paper into fine art? - Make it stand out</image:title>
      <image:caption>Edgar Degas, Lyda, Woman with a Pair of Binoculars, c. 1866-68, oil over graphite on paper, Collection of David Lachenmann. Photo by the author at Impressionists on Paper: Degas to Toulouse-Lautrec, Royal Academy of Arts, London, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/839809b1-e4f8-4b20-884e-30a2a4c389d7/key+220.jpg</image:loc>
      <image:title>Blog - How did the Impressionists turn humble works on paper into fine art? - Make it stand out</image:title>
      <image:caption>Federico Zandomeneghi, Study of a Woman from Behind, 1890-97. Pastel on cardboard, 48 x 38 cm. Galleria D'Arte Moderna, Milan. Photo: © Comune di Milano – All Rights Reserved</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c26af365-cb73-4c74-ac3a-0ee16d0a4234/thumbnail_IMG_6589.jpg</image:loc>
      <image:title>Blog - How did the Impressionists turn humble works on paper into fine art? - Make it stand out</image:title>
      <image:caption>Henri de Toulouse-Lautrec, Woman with a Black Boa, 1892, Essence (diluted oil paint) on cardboard, Musée d’Orsay, Paris. Gifted by the Comtesse Alphonse de Toulouse-Lautrec, mother of the artist, 1902. Photo by the author at Impressionists on Paper: Degas to Toulouse-Lautrec, Royal Academy of Arts, London, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2fcb31f6-b24e-40a0-a31d-43d6fbb2fdae/key+143.jpg</image:loc>
      <image:title>Blog - How did the Impressionists turn humble works on paper into fine art? - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, The Fortifications of Paris with Houses, 1887. Graphite, black chalk, watercolour and gouache on paper, 38.7 x 53.4 cm. Photo: © The Whitworth, The University of Manchester. Photography: Michael Pollard</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/are-you-a-proper-feminist-tell-me-after-you-see-this-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1cd05576-972c-4804-aca0-766b2b77115b/Women+in+Revolt%21+at+Tate+Britain%2C+London%2C+2023+%C2%A9+Tate+%28Larina+Fernandes%29+%2811%29.jpeg</image:loc>
      <image:title>Blog - Are you a proper feminist? Tell me after you see this show - Make it stand out</image:title>
      <image:caption>Women in Revolt! at Tate Britain, London, 2023 © Tate (Larina Fernandes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/38c62a9a-7421-41e3-b1f9-911eec76b266/Women+in+Revolt%21+at+Tate+Britain%2C+London%2C+2023+%C2%A9+Tate+%28Larina+Fernandes%29+%285%29.jpeg</image:loc>
      <image:title>Blog - Are you a proper feminist? Tell me after you see this show - Make it stand out</image:title>
      <image:caption>Women in Revolt! at Tate Britain, London, 2023 © Tate (Larina Fernandes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c2a11f8f-0d16-4897-9298-9278542be285/Postal+Art+displayed+in+Women+in+Revolt%21+at+Tate+Britain.+Photo+%C2%A9+Tate+%28Madeline+Buddo%29.jpeg</image:loc>
      <image:title>Blog - Are you a proper feminist? Tell me after you see this show - Make it stand out</image:title>
      <image:caption>Postal Art displayed in Women in Revolt! at Tate Britain. Photo © Tate (Madeline Buddo)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3a61424e-523b-4195-8a1e-538cc3e72e97/Women+in+Revolt%21+at+Tate+Britain%2C+London%2C+2023+%C2%A9+Tate+%28Larina+Fernandes%29+%2810%29.jpeg</image:loc>
      <image:title>Blog - Are you a proper feminist? Tell me after you see this show - Make it stand out</image:title>
      <image:caption>Women in Revolt! at Tate Britain, London, 2023 © Tate (Larina Fernandes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/691103c7-51de-4dc8-aa9a-4c2362927a5c/Caroline+Coon%2C+The+Slits%2C+Post+House+hotel%2C+Cardiff%2C+June+1977%2C+1977.+Courtesy+the+artist+and+Stephen+Friedman+Gallery.jpg</image:loc>
      <image:title>Blog - Are you a proper feminist? Tell me after you see this show - Make it stand out</image:title>
      <image:caption>Caroline Coon, The Slits, Post House hotel, Cardiff, June 1977, 1977. Courtesy the artist and Stephen Friedman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1dbe5650-3e9a-4972-898b-71d8ab816d31/Su+Richardson%2C+Bear+it+in+Mind%2C+1976.+Tate.+Presented+by+Tate+Patrons+2022.+%C2%A9+Su+Richardson%2C+All+Rights....jpg</image:loc>
      <image:title>Blog - Are you a proper feminist? Tell me after you see this show - Make it stand out</image:title>
      <image:caption>Su Richardson, Bear it in Mind, 1976. Tate. Presented by Tate Patrons 2022. © Su Richardson, All Rights reserved</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b8fc7c89-d0d0-430a-b75d-1621788b483b/Women+in+Revolt%21+at+Tate+Britain%2C+London%2C+2023+%C2%A9+Tate+%28Larina+Fernandes%29+%2815%29.jpeg</image:loc>
      <image:title>Blog - Are you a proper feminist? Tell me after you see this show - Make it stand out</image:title>
      <image:caption>Women in Revolt! at Tate Britain, London, 2023 © Tate (Larina Fernandes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3a7242a1-c8f5-4ec0-a183-b47bff0f0584/Lubaina+Himid%2C+The+Carrot+Piece%2C1985.+Tate.jpg</image:loc>
      <image:title>Blog - Are you a proper feminist? Tell me after you see this show - Make it stand out</image:title>
      <image:caption>Lubaina Himid, The Carrot Piece, 1985. Tate</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/from-smiles-to-secrets-what-makes-frans-hals-portraits-so-special</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e838010b-28da-4b43-b6fa-2588e6cef8e5/X11695-online.jpg</image:loc>
      <image:title>Blog - From smiles to secrets – what makes Frans Hals’ portraits so special? - Make it stand out</image:title>
      <image:caption>Frans Hals, The Laughing Cavalier, 1624, Oil on canvas, 83 × 67.3 cm, © The Wallace Collection, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a0e46152-73ef-4edd-8bf8-2cda7b462f93/X11700-online.jpg</image:loc>
      <image:title>Blog - From smiles to secrets – what makes Frans Hals’ portraits so special? - Make it stand out</image:title>
      <image:caption>Frans Hals, Bust of a Laughing Boy with a Flute, about 1630, Oil on wood, 37.5 × 37.5 cm, © Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Schwerin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/09f5214a-69fb-45a7-b451-204ac8f8067e/X11698-A5.jpg</image:loc>
      <image:title>Blog - From smiles to secrets – what makes Frans Hals’ portraits so special? - Make it stand out</image:title>
      <image:caption>Frans Hals, Portrait of a Woman, probably Cunera van Baersdorp, 1627-8, Oil on canvas, 123.8 × 95.3 cm, Susan and Matthew Weatherbie Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/32da869d-811e-4c41-9902-15c80fccca8a/X5836_new-online.jpg</image:loc>
      <image:title>Blog - From smiles to secrets – what makes Frans Hals’ portraits so special? - Make it stand out</image:title>
      <image:caption>Frans Hals, Portrait of a Couple, probably Isaac Abrahamsz Massa and Beatrix van der Laen, about 1622, Oil on canvas, 140 × 166.5 cm, © Rijksmuseum, Amsterdam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/993fed75-6da4-4928-97de-53705990c63d/thumbnail_IMG_3890.jpg</image:loc>
      <image:title>Blog - From smiles to secrets – what makes Frans Hals’ portraits so special? - Make it stand out</image:title>
      <image:caption>Frans Hals, Portrait of Willem van Heythuysen Seated in a Chair, about 1638, Oil on panel, 47 x 36.7 cm, © Private Collection, Courtesy Richard Nagy Ltd., London. Photographed by the author at the exhibition at the National Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d1e363ef-47f5-43b5-b7be-c3c192d85fd4/X11716_new-online.jpg</image:loc>
      <image:title>Blog - From smiles to secrets – what makes Frans Hals’ portraits so special? - Make it stand out</image:title>
      <image:caption>Frans Hals, Militia Company of District XI under the Command of Captain Reynier Reael, known as ‘The Meagre Company’, 1633 (completed by Pieter Codde, 1637), Oil on canvas, 209 × 429 cm, Rijksmuseum, Amsterdam. On loan from the city of Amsterdam, © Rijksmuseum, Amsterdam (SK-C-374)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0a391f32-6e7e-45ea-ac11-99e80c912605/thumbnail_IMG_3925.jpg</image:loc>
      <image:title>Blog - From smiles to secrets – what makes Frans Hals’ portraits so special? - Make it stand out</image:title>
      <image:caption>Frans Hals and Claes van Heussen, Young woman with a Display of Fruit and Vegetables, 1630, Oil on canvas, 157 × 200 cm, Private Collection, © Private Collection, courtesy the owner. Photo: the author at the National Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/04b42e9b-9428-46ad-8aa6-3347300fcaf4/L1313-online.jpg</image:loc>
      <image:title>Blog - From smiles to secrets – what makes Frans Hals’ portraits so special? - Make it stand out</image:title>
      <image:caption>Frans Hals, Portrait of Isaac Abrahamsz Massa, 1622, Oil on wood, 107 × 85 cm, The Devonshire Collections, Chatsworth, © The Devonshire Collections, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustees.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/how-comfortable-are-you-with-performance-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/bf0ee7eb-9ad3-4c84-85fd-24f423f924bd/Marina+Portrait-15.jpg</image:loc>
      <image:title>Blog - How comfortable are you with performance art? - Make it stand out</image:title>
      <image:caption>Marina Abramović in her solo exhibition at the Royal Academy of Arts, London, from 23 September 2023 – 1 January 2024, © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a7dbcb62-413d-4a99-8155-c5e15279028a/Abramovic-3.jpg</image:loc>
      <image:title>Blog - How comfortable are you with performance art? - Make it stand out</image:title>
      <image:caption>Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, from 23 September 2023 – 1 January 2024, showing Imponderabilia, 1977/2023. Live performance by Agata Flaminika and Kam Wan, 60 minutes. Courtesy of the Marina Abramović Archives. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/cc5796a9-52c6-4174-b50e-dfede86344ed/Abramovic-61.jpg</image:loc>
      <image:title>Blog - How comfortable are you with performance art? - Make it stand out</image:title>
      <image:caption>Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, from 23 September 2023 – 1 January 2024, showing The Artist is Present, 2010. Courtesy of the Marina Abramović Archives. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b20dfba6-613f-41d7-8d87-19c351eef956/Key+14.03.jpg</image:loc>
      <image:title>Blog - How comfortable are you with performance art? - Make it stand out</image:title>
      <image:caption>Marina Abramović, Balkan Baroque, June 1997. Performance at XLVIII Venice Biennale; 4 days. Courtesy of the Marina Abramović Archives. © Marina Abramović</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8ec7426a-46f3-4d8c-a7a9-04a7d3ed6b45/Abramovic-63.jpg</image:loc>
      <image:title>Blog - How comfortable are you with performance art? - Make it stand out</image:title>
      <image:caption>Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, from 23 September 2023 – 1 January 2024, showing Rhythm 0, 1974. Courtesy of the Marina Abramović Archives. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/5abbb920-eb52-43c7-8c62-0dd311143528/Abramovic-91.jpg</image:loc>
      <image:title>Blog - How comfortable are you with performance art? - Make it stand out</image:title>
      <image:caption>Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, from 23 September 2023 – 1 January 2024. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/5ba9c87d-7f60-4ed4-91f5-2c508b5e3930/Key+102.jpg</image:loc>
      <image:title>Blog - How comfortable are you with performance art? - Make it stand out</image:title>
      <image:caption>Marina Abramović, The Current, 2017. Video; 1 hour 35 mins. Courtesy of the Marina Abramović Archives. © Marina Abramović</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/857f83db-5062-46d0-b4f6-1d69d05f6dd1/Abramovic-98.jpg</image:loc>
      <image:title>Blog - How comfortable are you with performance art? - Make it stand out</image:title>
      <image:caption>Gallery view of the Marina Abramović exhibition at the Royal Academy of Arts, London, from 23 September 2023 – 1 January 2024, showing The House with the Ocean View, 2002/2023. Courtesy of the Marina Abramović Archives. © Marina Abramović. Photo © Royal Academy of Arts, London / David Parry</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/six-small-london-museums-perfect-for-your-next-getaway</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8ee7557e-878a-4954-a10f-898df4736d4b/The+Wallace+Collection+-+Thierry+Bal-10+%C2%A9+The+Trustees+of+the+Wallace+Collection.jpg</image:loc>
      <image:title>Blog - Six small London museums perfect for your next getaway - Make it stand out</image:title>
      <image:caption>The Wallace Collection. Photo by Thierry Bal © The Trustees of the Wallace Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1f3d6f58-17fb-4a05-b5a2-082968c276b4/%40soanemuseum.jpg</image:loc>
      <image:title>Blog - Six small London museums perfect for your next getaway - Make it stand out</image:title>
      <image:caption>Recently restored Soane’s Drawing Office open to public tours. Photo from @soanemuseum by @gardnergareth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/92010b0b-b1a6-46f4-95d4-0669e572daf9/1.+Cecily+Brown%2C+Unmoored+from+her+reflection%2C+2021.+Oil+on+linen%2C+149+x+539+cm+%C2%A9+Cecily+Brown.+Courtesy+the+artist%2C+Thomas+Dane+Gallery.+Photo+%C2%A9+David+Levene..jpg</image:loc>
      <image:title>Blog - Six small London museums perfect for your next getaway - Make it stand out</image:title>
      <image:caption>The Courtauld Gallery. Cecily Brown, Unmoored from her reflection, 2021. Oil on linen, 149 x 539 cm © Cecily Brown. Courtesy the artist, Thomas Dane Gallery. Photo © David Levene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4994b9e1-a481-4ec9-9d7f-8152506926e7/EH6669.jpg</image:loc>
      <image:title>Blog - Six small London museums perfect for your next getaway - Make it stand out</image:title>
      <image:caption>Kenwood House. © English Heritage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4afba4d8-98b0-4762-a24f-8299ee962143/%40leightonsambournemuseums.jpg</image:loc>
      <image:title>Blog - Six small London museums perfect for your next getaway - Make it stand out</image:title>
      <image:caption>Leighton House, photo from @leightonsambournemuseums</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4fdb5e72-9bad-4ce0-a217-076ce0fdf0fb/%40pitzhanger.jpg</image:loc>
      <image:title>Blog - Six small London museums perfect for your next getaway - Make it stand out</image:title>
      <image:caption>Pitzhanger Manor, photo from @pitzhanger</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/how-one-artistic-family-took-on-victorian-society</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/96e54941-b32a-4602-acf5-01679dbb779c/Dante+Gabriel+Rossetti%2C+Lady+Lilith+1866-1868%2C+altered+1872-1873+%28c%29+Delaware+Aer+Museum%2C+Samuel+and+Mary+R.+Bancroft+Memorial%2C+1935.jpg</image:loc>
      <image:title>Blog - How one artistic family took on Victorian society - Make it stand out</image:title>
      <image:caption>Dante Gabriel Rossetti, Lady Lilith, 1866-1868 (altered 1872-1873), Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/69dd7fdf-f832-4064-91d1-eac58cdc5864/Elizabeth+Eleanor+Siddal%2C+Lady+Affixing+Pennant+to+a+Knight%27s+Spear%2C+1856+%28c%29+Tate.jpg</image:loc>
      <image:title>Blog - How one artistic family took on Victorian society - Make it stand out</image:title>
      <image:caption>Elizabeth Eleanor Siddal, Lady Affixing Pennant to a Knight's Spear 1856 © Tate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/66c74bf8-a57b-47c0-8a97-ac8a73e59be0/The+Rossettis+Installation+View+at+Tate+Britain+2023+%C2%A9+Tate+%28Madeleine+Buddo%29+%286%29.jpeg</image:loc>
      <image:title>Blog - How one artistic family took on Victorian society - Make it stand out</image:title>
      <image:caption>The Rossettis Installation View at Tate Britain 2023 © Tate (Madeleine Buddo)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/154aa72b-c2aa-41c0-b197-a48db651ab77/The+Rossettis+Installation+View+at+Tate+Britain+2023+%C2%A9+Tate+%28Madeleine+Buddo%29+%282%29.jpeg</image:loc>
      <image:title>Blog - How one artistic family took on Victorian society - Make it stand out</image:title>
      <image:caption>The Rossettis Installation View at Tate Britain 2023 © Tate (Madeleine Buddo)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4b68db0c-0a1c-4335-b22f-83b0dae09d54/Dante+Gabriel+Rossetti%2C+Beata+Beatrix%2C+1864+%28c%29+Tate.jpg</image:loc>
      <image:title>Blog - How one artistic family took on Victorian society - Make it stand out</image:title>
      <image:caption>Dante Gabriel Rossetti, Beata Beatrix 1864 © Tate Presented by Georgiana, Baroness Mount-Temple in memory of her husband, Francis, Baron Mount-Temple 1889</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1b7a80eb-a31f-4374-b30c-d573c3dc4d00/The+Rossettis+Installation+View+at+Tate+Britain+2023+%C2%A9+Tate+%28Madeleine+Buddo%29+%284%29.jpeg</image:loc>
      <image:title>Blog - How one artistic family took on Victorian society - Make it stand out</image:title>
      <image:caption>The Rossettis Installation View at Tate Britain 2023 © Tate (Madeleine Buddo)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/this-female-artist-couldnt-have-been-more-impressionist-if-she-tried</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/703a5071-0659-4c89-9753-887cab807f3a/Morisot%2C+Self+Portrait.jpg</image:loc>
      <image:title>Blog - This female artist couldn’t have been more Impressionist if she tried - Make it stand out</image:title>
      <image:caption>Berthe Morisot, Self-portrait, 1885 © Musée Marmottan Monet, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/366ba103-0df3-4eeb-954a-a2f756d29476/Fragonard%2C+Young+Woman.jpg</image:loc>
      <image:title>Blog - This female artist couldn’t have been more Impressionist if she tried - Make it stand out</image:title>
      <image:caption>Jean-Honoré Fragonard, Young Woman, c.1769. Courtesy Dulwich Picture Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6b9dba46-caa2-4901-b4d8-07eb017bbbc6/Morisot%2C+At+the+Ball.jpg</image:loc>
      <image:title>Blog - This female artist couldn’t have been more Impressionist if she tried - Make it stand out</image:title>
      <image:caption>Berthe Morisot, At the Ball, 1875 © Musée Marmottan Monet, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ba1b24f4-9332-4622-8beb-6994b71fc70b/DPG_BertheMorisot-4000px-282A2139.jpg</image:loc>
      <image:title>Blog - This female artist couldn’t have been more Impressionist if she tried - Make it stand out</image:title>
      <image:caption>Berthe Morisot: Impressionism and the 18th Century at Dulwich Picture Gallery, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7c35a366-ca15-4318-9b20-fdfe38261d13/Watteau+Les+Plaisirs+du+Bal.jpg</image:loc>
      <image:title>Blog - This female artist couldn’t have been more Impressionist if she tried - Make it stand out</image:title>
      <image:caption>Antoine Watteau, Les Plaisirs du bal, c. 1715-17. Courtesy Dulwich Picture Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ec4da0c6-7241-4e3b-a665-bef5bc9213bb/DPG_BertheMorisot-4000px-282A2148.jpg</image:loc>
      <image:title>Blog - This female artist couldn’t have been more Impressionist if she tried - Make it stand out</image:title>
      <image:caption>Berthe Morisot: Impressionism and the 18th Century at Dulwich Picture Gallery, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d8e173a1-97e9-4c75-9519-714d13161202/DPG_BertheMorisot-4000px-282A2632.jpg</image:loc>
      <image:title>Blog - This female artist couldn’t have been more Impressionist if she tried - Make it stand out</image:title>
      <image:caption>Berthe Morisot: Impressionism and the 18th Century at Dulwich Picture Gallery, 2023</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/why-af-klint-and-mondrian-make-a-very-happy-marriage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/88ad4772-43c4-4475-a5d3-4b756bfac13f/1.Hilma+Af+Klint+and+Piet+Mondrian+Installation+View+at+Tate+Modern+2023.+Photo+Tate+%28Lucy+Green%29.jpg</image:loc>
      <image:title>Blog - Why af Klint and Mondrian make a very happy marriage - Make it stand out</image:title>
      <image:caption>Hilma af Klint &amp; Piet Mondrian: Forms of Life Installation View at Tate Modern 2023. Photo: Tate (Lucy Green)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/57a8ddbe-f932-4c5d-966b-2b43c889fb46/5.Hilma+Af+Klint+and+Piet+Mondrian+Installation+View+at+Tate+Modern+2023.+Photo+Tate+%28Jai+Monaghan%29.jpg</image:loc>
      <image:title>Blog - Why af Klint and Mondrian make a very happy marriage - Make it stand out</image:title>
      <image:caption>Hilma af Klint &amp; Piet Mondrian: Forms of Life Installation View at Tate Modern 2023. Photo: Tate (Jai Monaghan)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/db814f98-1bb8-474f-adbe-884cf4dbf1ba/Piet+Mondrian%2C+Red+Amaryllis+with+blue+background%2C+1909%E2%80%931910.+Private+Collection.jpg</image:loc>
      <image:title>Blog - Why af Klint and Mondrian make a very happy marriage - Make it stand out</image:title>
      <image:caption>Piet Mondrian, Red Amaryllis with blue background, 1909–1910. Private Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0ba757f5-2461-48f0-a28a-6e06172a0248/3.+Hilma+Af+Klint+and+Piet+Mondrian+Installation+View+at+Tate+Modern+2023.+Photo+Tate+%28Jai+Monaghan%29.jpg</image:loc>
      <image:title>Blog - Why af Klint and Mondrian make a very happy marriage - Make it stand out</image:title>
      <image:caption>Hilma af Klint &amp; Piet Mondrian: Forms of Life Installation View at Tate Modern 2023. Photo: Tate (Jai Monaghan)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/37ded55f-e010-468d-9085-15e4c729c560/7.Hilma+Af+Klint+and+Piet+Mondrian+Installation+View+at+Tate+Modern+2023.+Photo+Tate+%28Jai+Monaghan%29.jpg</image:loc>
      <image:title>Blog - Why af Klint and Mondrian make a very happy marriage - Make it stand out</image:title>
      <image:caption>Hilma af Klint &amp; Piet Mondrian: Forms of Life Installation View at Tate Modern 2023. Photo: Tate (Jai Monaghan)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/how-far-would-you-go-for-vermeer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f5e35acc-b964-4b1d-949c-c30f02e13ee3/Vermeer+-+Installatie+3.jpg</image:loc>
      <image:title>Blog - How far would you go for Vermeer? - Make it stand out</image:title>
      <image:caption>Installation exhibition Vermeer. Photo Rijksmuseum/Kelly Schenk. Details of the painting: The Milkmaid, Johannes Vermeer, 1658-59, oil on canvas. Rijksmuseum, Amsterdam. Purchased with the support of the Vereniging Rembrandt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/97a2c43e-099b-483e-93f3-34c8f792b041/Vermeer+-+Tentoonstelling+-+Pers+8+.jpg</image:loc>
      <image:title>Blog - How far would you go for Vermeer? - Make it stand out</image:title>
      <image:caption>Vermeer exhibition. Photo Rijksmuseum/ Henk Wildschut. Details of the painting: Girl with a Pearl Earring, 1664–67, oil on canvas. Mauritshuis, The Hague. Bequest of Arnoldus Andries des Tombe, The Hague</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1a9cfdca-f1e0-43fa-a05e-3bce64573f56/Jan_Vermeer_van_Delft_013-2.jpg</image:loc>
      <image:title>Blog - How far would you go for Vermeer? - Make it stand out</image:title>
      <image:caption>Johannes Vermeer, The Guitar Player, c. 1672, oil on canvas, Kenwood House, the Iveagh Bequest, English Heritage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d85ee26c-56d7-4ff7-a7fd-444f4f81c540/Vermeer+-+Tentoonstelling+-+Pers+14.jpg</image:loc>
      <image:title>Blog - How far would you go for Vermeer? - Make it stand out</image:title>
      <image:caption>Vermeer exhibition. Photo Rijksmuseum/ Henk Wildschut. Details of the painting: Mistress and Maid, Johannes Vermeer, c. 1665-67, oil on canvas. The Frick Collection, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/421003a6-ce95-4087-80e4-0c6d20821097/Dresden_brieflezend_meisje_bij_venster_Gal.-Nr.+1336.jpg</image:loc>
      <image:title>Blog - How far would you go for Vermeer? - Make it stand out</image:title>
      <image:caption>Girl Reading a Letter at an Open Window, Johannes Vermeer, 1657-58, oil on canvas. Gemäldegalerie Alte Meister, Dresden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1ce146a9-4e61-465c-89ce-c01da48d4d4d/Vermeer+-+Tentoonstelling+-+Pers+9+.jpg</image:loc>
      <image:title>Blog - How far would you go for Vermeer? - Make it stand out</image:title>
      <image:caption>Vermeer exhibition. Photo Rijksmuseum/ Henk Wildschut. Details of the paintings: A Young Woman standing at a Virginal, Johannes Vermeer, 1670–72, oil on canvas. The National Gallery, London; A Young Woman seated at a Virginal, Johannes Vermeer, 1670-75, oil on canvas. The National Gallery, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/here-is-one-royal-academy-exhibition-that-refuses-to-be-pigeonholed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7dc3371e-4788-448a-a296-e8649547b374/Key+169.jpg</image:loc>
      <image:title>Blog - Here is one Royal Academy exhibition that refuses to be pigeonholed - Make it stand out</image:title>
      <image:caption>Alhambra Silk, Nasrid, Granada, c. 1400. Silk, 237.5 x 152.3 cm. On loan from The Hispanic Society of America, New York, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a6bc8986-5e83-4024-bbda-780b2368c864/Key+219.jpg</image:loc>
      <image:title>Blog - Here is one Royal Academy exhibition that refuses to be pigeonholed - Make it stand out</image:title>
      <image:caption>Map of Tequaltiche, Teocaltiche, Jalisco, Mexico, 1584. Watercolour and ink on paper, 86.3 x 124.5 cm. On loan from The Hispanic Society of America, New York, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/765b8473-19f1-4ce6-ab6e-ddb42d72a175/Key+27.jpg</image:loc>
      <image:title>Blog - Here is one Royal Academy exhibition that refuses to be pigeonholed - Make it stand out</image:title>
      <image:caption>Diego Rodríguez de Silva y Velázquez, Portrait of a Little Girl, c. 1638-42. Oil on canvas, 51.5 x 41 cm. On loan from The Hispanic Society of America, New York, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d1ed0b11-bfe2-420a-b5b5-dadd02d45e98/Key+69.jpg</image:loc>
      <image:title>Blog - Here is one Royal Academy exhibition that refuses to be pigeonholed - Make it stand out</image:title>
      <image:caption>Portable writing desk, Pasto, Colombia, c. 1684. Barniz de Pasto lacquer on wood, 19 x 36 x 30.5 cm. On loan from The Hispanic Society of America, New York, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/dcf300b7-3e92-4a15-80b3-21782758e68e/Key+79%2C+80%2C+81%2C+82.jpg</image:loc>
      <image:title>Blog - Here is one Royal Academy exhibition that refuses to be pigeonholed - Make it stand out</image:title>
      <image:caption>Attributed to Manuel Chili, called Caspicara, The Four Fates of Man: Death, Soul in Hell, Soul in Purgatory, Soul in Heaven, Ecuador c. 1775. Polychromed wood, glass and metal, 17.9 x 11.8 x 8.4 cm, 17.9 x 14.5 x 8 cm, 16.9 x 11.1 x 12.3 cm, 17.6 x 11 x 12.3 cm. On loan from The Hispanic Society of America, New York, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/757b2bd7-4579-4c56-9916-0114a718078f/Key+55.jpg</image:loc>
      <image:title>Blog - Here is one Royal Academy exhibition that refuses to be pigeonholed - Make it stand out</image:title>
      <image:caption>Francisco de Goya y Lucientes, The Duchess of Alba, 1797. Oil on canvas, 210.3 x 149.3 cm. On loan from The Hispanic Society of America, New York, NY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/9-must-see-art-exhibitions-in-london-in-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d19bec1e-7445-4923-8fd3-d6d48696b825/Key+32.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>Hermenegildo Anglada Camarasa, Girls of Burriana (Falleras), 1910-11. Oil on canvas, 166 x 208 cm. On loan from The Hispanic Society of America, New York, NY. Part of the Spain and the Hispanic World at the Royal Academy of Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/cb1b7bfb-f4c2-4aca-9672-0a28e2a5e205/Key+55.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>Francisco de Goya y Lucientes, The Duchess of Alba, 1797. Oil on canvas, 210.3 x 149.3 cm. On loan from The Hispanic Society of America, New York, NY. Part of the Spain and the Hispanic World at the Royal Academy of Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/cf50a700-d31b-4766-9d25-3d4ad4470993/Donatello%2C+Pazzi+Madonna%2C+marble%2C++courtesy+of+Skulpturensammlung+und+Museum+f%C3%BCr+Byzantinische+Kunst+der+Staatlichen+Museen+zu+Berlin.+Photo+by+Antje+Voigt%2C+Berlin.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>Donatello, Pazzi Madonna, marble, courtesy of Skulpturensammlung und Museum für Byzantinische Kunst der Staatlichen Museen zu Berlin. Photo by Antje Voigt, Berlin. Part of Donatello at the Victoria and Albert Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4336c4b8-ebd5-4191-8a1d-b42e1de9d986/Self+Portrait.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>Berthe Morisot, Self-portrait, 1885 © Musée Marmottan Monet, Paris. Part of Berthe Morisot at Dulwich Picture Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e0f48d32-5791-47fb-852d-93dc59e66430/Isaac+Julien%2C+Lessons+of+the+Hour+2019.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>Installation view, Lessons of the Hour–Frederick Douglass, Memorial Art Gallery of the University of Rochester, 2019. Photo: Andy Olenick/Fotowerks Ltd. © Isaac Julien. Courtesy the artist and Victoria Miro. Part of Isaac Julien at Tate Britain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/90aac1d1-dcdc-45a1-9ed0-0e6977fe9818/014+Photo+by+John+Angelillo+UPIAlamy+Live+News.png</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>Photo by John Angelillo UPIAlamy Live News. Part of The Offbeat Sari at the Design Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/15795acd-228d-42f3-b564-b5c507f46068/NPG_151122-29.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>National Portrait Gallery. © Photo David Parry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a426b3e2-0631-44b7-8ee6-ef33e917abfa/X11695.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>X11695. Frans Hals, The Laughing Cavalier, 1624. Oil on canvas, 83 x 67 cm. © Trustees of the Wallace Collection, London. Part of Frans Hals at the National Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/aaeffaa5-45be-4c65-8d0b-103c8f811994/Philip+Guston.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>Philip Guston, Painting, Smoking, Eating, 1973. Oil on canvas, 196.85 × 262.89 cm. Stedelijk Museum, Amsterdam © The Estate of Philip Guston. Part of Philip Guston at Tate Modern</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b70a648a-5735-4c0a-ba90-b5461cd9537f/Women+in+Revolt.jpg</image:loc>
      <image:title>Blog - 9 must-see art exhibitions in London in 2023 - Make it stand out</image:title>
      <image:caption>Helen Chadwick, In the Kitchen (Stove), 1977. © The Estate of the Artist. Courtesy Richard Saltoun Gallery, London and Rome. Part of Women in Revolt! at Tate Britain</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/why-were-these-women-artists-making-modernism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7a35b0cf-57eb-4151-b851-801b0791e011/%235.jpg</image:loc>
      <image:title>Blog - Why were these women artists making modernism? - Make it stand out</image:title>
      <image:caption>Marianne Werefkin, Twins, 1909. Tempera on paper, 27.5 x 36.5 cm. Fondazione Marianne Werefkin, Museo Comunale d'Arte Moderna, Ascona</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3bf32532-a0b6-429c-ba2e-038b5ba0cc52/%23127.jpg</image:loc>
      <image:title>Blog - Why were these women artists making modernism? - Make it stand out</image:title>
      <image:caption>Käthe Kollwitz, Woman with Dead Child, 1903. Etching on paper, 42.4 x 48.6 cm. © Käthe Kollwitz Museum Köln</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/85009224-4a88-43fc-9a53-d09a9c064863/%2365+NEW.jpg</image:loc>
      <image:title>Blog - Why were these women artists making modernism? - Make it stand out</image:title>
      <image:caption>Paula Modersohn-Becker, Girl with Child, 1902. Oil on cardboard, 45.3 x 50.5 cm. Kunstmuseum Den Haag, The Hague</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/455ca6eb-fa89-4a8e-92e5-342df83e8922/%2334.jpg</image:loc>
      <image:title>Blog - Why were these women artists making modernism? - Make it stand out</image:title>
      <image:caption>Gabriele Münter, Portrait of Anna Roslund, 1917. Oil on canvas, 94 x 68 cm. Leicester Museums &amp; Galleries. © DACS 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ff246b2c-600b-475a-ae32-bab86ae48fe7/%28c%29+Estate+of+Marek+Holzman%2C+1966.jpg</image:loc>
      <image:title>Blog - Why were these women artists making modernism? - Make it stand out</image:title>
      <image:caption>Magdalena Abakanowicz, (c) Estate of Marek Holzman, 1966</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/852eb86a-a540-47e6-9f96-306d84a106c9/Magdalena+Abakanowicz_Press_2022_14.jpeg</image:loc>
      <image:title>Blog - Why were these women artists making modernism? - Make it stand out</image:title>
      <image:caption>Magdalena Abakanowicz_Press_2022_14. Install shots (c) Tate Photography, Madeline Buddo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3fcaa15b-fe35-4327-83d3-6e4a157b8a6e/Magdalena+Abakanowicz_Press_2022_07.jpeg</image:loc>
      <image:title>Blog - Why were these women artists making modernism? - Make it stand out</image:title>
      <image:caption>Magdalena Abakanowicz_Press_2022_07. Install shots (c) Tate Photography, Madeline Buddo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/5720f509-0d01-4a75-8e18-5e4267836526/Magdalena+Abakanowicz_Press_2022_03.jpeg</image:loc>
      <image:title>Blog - Why were these women artists making modernism? - Make it stand out</image:title>
      <image:caption>Magdalena Abakanowicz_Press_2022_03. Install shots (c) Tate Photography, Madeline Buddo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/how-the-vam-takes-on-colonialism-one-exhibition-at-a-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/5015a39b-c2e4-492c-9d03-fd85c00ff5b3/Dance+peformance+opens+What+is+seen+and+what+is+Not+By+Osman+Yousefzada+at+the+V%26A+%28Photo+by+Tim+P.+WhitbyGetty+Images+for+V%26A%29+%286%29.jpg</image:loc>
      <image:title>Blog - How the V&amp;amp;A takes on colonialism one (or three) exhibition at a time - Make it stand out</image:title>
      <image:caption>What is Seen and What is Not, Osman Yousefzada, Victoria and Albert Museum (photo by Tim Whitby, Getty Images for V&amp;A)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7b4f854d-2a2e-4c41-92e6-8853d370a0bd/Danish+Shalwani+%40Unikrew+production+%2813%29.jpg</image:loc>
      <image:title>Blog - How the V&amp;amp;A takes on colonialism one (or three) exhibition at a time - Make it stand out</image:title>
      <image:caption>Osman Yousefzada, Danish Shalwani @Unikrew Production, V&amp;A</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/91b6f2d2-21d9-4469-b7c5-ffd8d79a8f2b/%28c%29+Victoria+and+Albert+Museum%2C+London+%2810%29.jpg</image:loc>
      <image:title>Blog - How the V&amp;amp;A takes on colonialism one (or three) exhibition at a time - Make it stand out</image:title>
      <image:caption>What is Seen and What is Not, Osman Yousefzada, (c) V&amp;A</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6fc3a5d0-3ec3-480d-817d-6bb58207b1c6/Sokari+Douglas+Camp+at+V%26A.JPG</image:loc>
      <image:title>Blog - How the V&amp;amp;A takes on colonialism one (or three) exhibition at a time - Make it stand out</image:title>
      <image:caption>Europe Supported by Africa and America, Sokari Douglas Camp, Victoria and Albert Museum (photo by the author)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fc6b5a99-7a3b-4cf9-9bbd-96d1ae79f1ea/Africa+Fashion+at+the+V%26A+Installation+shot+%2821%29.jpg</image:loc>
      <image:title>Blog - How the V&amp;amp;A takes on colonialism one (or three) exhibition at a time - Make it stand out</image:title>
      <image:caption>Africa Fashion at the Victoria and Albert Museum, London, 2 July 2022 – 16 April 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6e563f22-0958-4553-9f8f-7439ebf9c114/Kofi+Ansah+%27Indigo%27+Couture+1997+-+Narh+%26+Linda+-+Photo+%C2%A9+1997+Eric+Don-Arthur+_+www.EricDonArthur.com+_MG_8656-3.jpg</image:loc>
      <image:title>Blog - How the V&amp;amp;A takes on colonialism one (or three) exhibition at a time - Make it stand out</image:title>
      <image:caption>Kofi Ansah 'Indigo' Couture 1997 - Narh &amp; Linda - Photo © 1997 Eric Don- Arthur _ www.EricDonArthur.com _MG_8656-3. Africa Fashion at the Victoria and Albert Museum, London, 2 July 2022 – 16 April 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6d01f844-39c1-4e83-b9ed-fa6d9c2fa0e5/MAXHOSA+AFRICA%2C+IAMISIGO%2C+Imane+Ayissi.jpg</image:loc>
      <image:title>Blog - How the V&amp;amp;A takes on colonialism one (or three) exhibition at a time - Make it stand out</image:title>
      <image:caption>MAXHOSA AFRICA, IAMISIGO, Imane Ayissi © Victoria and Albert Museum, London; Africa Fashion at the Victoria and Albert Museum, London, 2 July 2022 – 16 April 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a1f97467-14b6-4d8a-9614-432155570f4f/DAKALA+CLOTH+ensemble%2C+%27Who+Knew%27+collection%2C+Abuja%2C+Nigeria%2C+SpringSummer+2019+Image+courtesy+Nkwo+Onwuka+%28c%29+Kola+Oshalusi.jpg</image:loc>
      <image:title>Blog - How the V&amp;amp;A takes on colonialism one (or three) exhibition at a time - Make it stand out</image:title>
      <image:caption>DAKALA CLOTH ensemble, 'Who Knew' collection, Abuja, Nigeria, Spring/Summer 2019; Image courtesy Nkwo Onwuka © Kola Oshalusi; Africa Fashion at the Victoria and Albert Museum, London, 2 July 2022 – 16 April 2023.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/beyonce-and-the-louvre-why-museums-need-more-popstars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8a63e984-f3f5-4e4d-879b-8d7aacfb0aa7/IMG_9942.jpg</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>A queue to see Leonardo da Vinci’s Mona Lisa, 1503-1519 at the Louvre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4b8973ce-b790-4969-98e5-67141947350a/IMG_9987.jpg</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>Venus de Milo (150-125BC) and her admirers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f4eb9d8f-affb-4d98-89c0-b3d2a513ff4c/IMG_9953.jpg</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>Detail of Veronese’s The Wedding Feast at Cana, 16th Century</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/dcceabae-9e62-4435-a899-75c3fde74580/IMG_9939.jpg</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>Andrea Solario, The Virgin of the Green Cushion, 1507-1510</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d816245d-94c3-4772-8a73-2e7ddb6f39e1/IMG_9994.jpg</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>Detail of Hermes fastening his sandal, after Lysippos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0752201c-af8a-434c-b541-5a240b71dd1f/IMG_9932.JPG</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>The Winged Victory of Samothrace</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e431dbfe-7c89-4f8e-a31e-04709fd2887f/IMG_9969.JPG</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>Detail of Jacques-Louis David’s The Intervention of the Sabine Women, 1799</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8c319c88-dbc3-483d-8402-ca3b872116f4/IMG_0002.jpg</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>The Great Sphinx of Tanis, 2600-2500BC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7974402f-0e30-4533-b6f8-fb5403103e4e/IMG_0009.jpg</image:loc>
      <image:title>Blog - Beyoncé and the Louvre. Why museums need more popstars? - Make it stand out</image:title>
      <image:caption>Marie-Guillemine Benoist, Portrait of a Black Woman, salon of 1800</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/from-beatrix-potter-to-disney-why-do-we-find-talking-animals-and-teapots-so-irresistible</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e12cd3e0-f2d7-4bc6-b568-8107d7691916/Vase+%27%C3%A0+t%C3%AAte+d%27%C3%A9l%C3%A9phant%27%2C+Manufacture+de+S%C3%A8vres%2C+Jean-Claude+Chambellan+Duplessis%2C+the+Elder+%28designer%29%2C+Charles-Nicolas+Dodin+%28painter%29%2C+1757+%28C247+detail%29+%C2%A9+The+Wallace+Collection.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>Vase 'à tête d'éléphant', Manufacture de Sèvres, Jean-Claude Chambellan Duplessis, the Elder (designer), Charles-Nicolas Dodin (painter), 1757 (C247 detail) © The Wallace Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/648e1b6d-6c10-445c-9d6f-6a3587660958/The+Mice+at+Work+Threading+the+Needle%2C+The+Tailor+of+Gloucester+artwork%2C+1902.+Watercolour%2C+ink+and+gouache+on+paper+%C2%A9+Tate.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>The Mice at Work Threading the Needle, The Tailor of Gloucester artwork, 1902. Watercolour, ink and gouache on paper © Tate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d906ef74-447f-4c99-89b4-8e41cdd750d0/Man%27s+court+waistcoat%2C+1780s%2C+English+or+French%3B+white+silk%2C+embroidered%2C+in+Beatrix+Potter%2C+Tailor+of+Gloucester+%C2%A9+Victoria+and+Albert+Museum%2C+London.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>Man's court waistcoat, 1780s, English or French; white silk, embroidered, in Beatrix Potter, Tailor of Gloucester © Victoria and Albert Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7bba7a25-0c10-4bad-9232-0836ac2fd7e6/Beatrix+Potter+Drawn+to+Nature%2C+installation+image+%28c%29+Victoria+and+Albert+Museum%2C+London+%2816%29.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>Beatrix Potter Drawn to Nature, installation image (c) Victoria and Albert Museum, London (16)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/17e92be7-5b2a-4fb2-a43d-7e7bd44de88d/Inspiring+Walt+Disney+exhibition+at+the+Wallace+Collection+2022+%C2%A9+The+Wallace+Collection.jpg%288%29.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>Inspiring Walt Disney exhibition at the Wallace Collection 2022 © The Wallace Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/31928c84-64ad-4d6a-a49a-cbc932dfbf01/Lisa+Keene+and+Kyle+Strawitz%2C+Rapunzel+on+a+swing%2C+CGI+test+for+Tangled+%282010%29%2C+2008+Film+frame%2C+Walt+Disney+Animation+Research+Library+%C2%A9+Disney.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>Lisa Keene and Kyle Strawitz, Rapunzel on a swing, CGI test for Tangled (2010), 2008 Film frame, Walt Disney Animation Research Library © Disney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/9266136e-c526-4cba-a62c-93d39d090534/Bracket+clock%2C+attributed+to+Jacques+Gouchon+%28movement+maker%29%2C+c.+1739+%28F409%29+%C2%A9+The+Wallace+Collection.+1739+%28F409%29+%C2%A9+The+Wallace+Collection.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>Bracket clock, attributed to Jacques Gouchon (movement maker), c. 1739 (F409) © The Wallace Collection. 1739 (F409) © The Wallace Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/061c2931-8a6f-40b7-b784-4851973a1b05/Beauty+and+the+Beast%2C+1991%2C+Brian+McEntee%2C+Concept+art%2C+marker+and+photocopy+on+paper+%C2%A9+Disney.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>Beauty and the Beast, 1991, Brian McEntee, Concept art, marker and photocopy on paper © Disney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7fa6ec6c-6d33-42e0-92d1-87057cdc1590/Beauty+and+the+Beast%2C+1991%2C+Disney+Studio+Artist%2C+Concept+Art%2C+photocopy%2C+marker+and+ink+on+paper+%C2%A9+Disney.jpg</image:loc>
      <image:title>Blog - From Beatrix Potter to Disney: why do we find talking animals (and teapots) so irresistible? - Make it stand out</image:title>
      <image:caption>Beauty and the Beast, 1991, Disney Studio Artist, Concept Art, photocopy, marker and ink on paper © Disney</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/can-one-mend-trauma-with-a-thread</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7fdaff78-b21d-43cd-917b-e890c2e0d651/Mark-Blower-220205-Louise+Bourgeois-Hayward-0004-Edit.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Louise Bourgeois: The Woven Child at Hayward Gallery, 2022. © The Easton Foundation/DACS, London and VAGA at Artists Rights Society (ARS), New York. Photo: Mark Blower/© The Hayward Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/9a2c31c2-b167-49fe-877a-37988f56c8d5/Mark-Blower-220205-Louise+Bourgeois-Hayward-0022-Edit.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Louise Bourgeois: The Woven Child at Hayward Gallery, 2022. © The Easton Foundation/DACS, London and VAGA at Artists Rights Society (ARS), New York. Photo: Mark Blower/© The Hayward Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0139da88-2340-4fea-8eea-c009c9e885a3/Mark-Blower-220205-Louise+Bourgeois-Hayward-0031.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Louise Bourgeois: The Woven Child at Hayward Gallery, 2022. © The Easton Foundation/DACS, London and VAGA at Artists Rights Society (ARS), New York. Photo: Mark Blower/© The Hayward Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b0141783-af92-47da-8dcb-031f0d287915/Mark-Blower-220205-Louise+Bourgeois-Hayward-0054.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Louise Bourgeois: The Woven Child at Hayward Gallery, 2022. © The Easton Foundation/DACS, London and VAGA at Artists Rights Society (ARS), New York. Photo: Mark Blower/© The Hayward Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8c477eb7-cee4-4623-97df-4c8a7def1ec9/Mark-Blower-220205-Louise+Bourgeois-Hayward-0017-Edit-Edit.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Louise Bourgeois: The Woven Child at Hayward Gallery, 2022. © The Easton Foundation/DACS, London and VAGA at Artists Rights Society (ARS), New York. Photo: Mark Blower/© The Hayward Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/95328aee-ac3f-4d5e-991c-b33822ee6b24/Gulnur+Mukazhanova+London+1.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Gulnur Mukazhanova, Öliara: The Dark Moon, organised by Ainalaiyn Space, at Mimosa House, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d334379b-2bb6-49ca-94e7-ab4800feb095/Gulnur+Mukazhanova+London+2.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Gulnur Mukazhanova, Öliara: The Dark Moon, organised by Ainalaiyn Space, at Mimosa House, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/07474244-8cae-4bb7-bf72-05d16bbc19b9/Gulnur+Mukazhanova+London.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Detail of The Horizon Line, at Gulnur Mukazhanova, Öliara: The Dark Moon, organised by Ainalaiyn Space, at Mimosa House, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fe219b5a-19da-4a13-89de-d41d536aca8c/Gulnur+Mukazhanova+London+3.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Gulnur Mukazhanova, Öliara: The Dark Moon, organised by Ainalaiyn Space, at Mimosa House, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/50189e8d-c521-4bed-bbf2-af36ba47e31b/Gulnur+Mukazhanova+4.jpg</image:loc>
      <image:title>Blog - Can one mend trauma with a thread? - Make it stand out</image:title>
      <image:caption>Installation view of Gulnur Mukazhanova, Öliara: The Dark Moon, organised by Ainalaiyn Space, at Mimosa House, 2022.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/who-is-kehinde-wiley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4c22695d-09bd-45b1-9c2a-a9124419a6b0/X17766_web.jpg</image:loc>
      <image:title>Blog - Who is Kehinde Wiley? - Make it stand out</image:title>
      <image:caption>X17766_web Production photo from on-location filming in Norway for Prelude, 2020 © Kehinde Wiley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c8c45d11-a62b-4b3a-a871-f210517038e9/X11740_framed-A5.jpg</image:loc>
      <image:title>Blog - Who is Kehinde Wiley? - Make it stand out</image:title>
      <image:caption>X11740 Kehinde Wiley, Prelude (Babacar Mané), 2021, Oil on linen, 387.2 × 305 cm © Kehinde Wiley. Courtesy of Stephen Friedman Gallery, London and Galerie Templon, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/686fe5e2-d559-4a69-a744-8f0d0a3b5003/durer.jpg</image:loc>
      <image:title>Blog - Who is Kehinde Wiley? - Make it stand out</image:title>
      <image:caption>Kuanysh Bazargaliyev, Alibek Durov, from the series When all the People where Qazaqs, 2013, acrylic on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/22b630af-9451-4a19-819c-0a3f9c3b0929/X11766.09-A5.jpg</image:loc>
      <image:title>Blog - Who is Kehinde Wiley? - Make it stand out</image:title>
      <image:caption>X11766.09 Still from Prelude, 2021 © Kehinde Wiley. Courtesy of Stephen Friedman Gallery, London, and Galerie Templon, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/b4e4334e-22e8-4af7-a789-cf7d7558875d/X11766.03-A5.jpg</image:loc>
      <image:title>Blog - Who is Kehinde Wiley? - Make it stand out</image:title>
      <image:caption>X11766.03 Production photo from on-location filming in Norway for Prelude, 2020.  © Kehinde Wiley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fcd2b717-b0a9-4f21-9759-828255490c3c/X11766.04-A5.jpg</image:loc>
      <image:title>Blog - Who is Kehinde Wiley? - Make it stand out</image:title>
      <image:caption>X11766.04 Still from Prelude, 2021 © Kehinde Wiley. Courtesy of Stephen Friedman Gallery, London, and Galerie Templon, Paris</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/allison-katz-and-julien-creuzet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/27ff029d-f4be-4957-837e-65b36ecd3e6b/katz2.jpg</image:loc>
      <image:title>Blog - Allison Katz and Julien Creuzet - Make it stand out</image:title>
      <image:caption>Allison Katz, To be Continued Unnoticed, 2019, courtesy the artist. Photographed at Camden Art Centre by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/6c8198bc-a39c-48b1-91c6-7fc806819cca/katz.jpg</image:loc>
      <image:title>Blog - Allison Katz and Julien Creuzet - Make it stand out</image:title>
      <image:caption>Allison Katz, Elevator III (Camden Art Centre), 2021, courtesy the artist and Luring Augustine, New York. Photographed at Camden Art Centre by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/bacdf9cd-ca0d-44b7-a213-fd526be22a15/katz8.jpg</image:loc>
      <image:title>Blog - Allison Katz and Julien Creuzet - Make it stand out</image:title>
      <image:caption>Allison Katz, Cabbage (and Phillip), No.5, 2013, collection of Alexander V. Petalas. Photographed at Camden Art Centre by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c792790a-44a8-4fee-b972-b7a3bb749c62/katz5.jpg</image:loc>
      <image:title>Blog - Allison Katz and Julien Creuzet - Make it stand out</image:title>
      <image:caption>Allison Katz Artery exhibition view, photographed by the author at Camden Art Centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d893e64e-791b-44bc-acb7-2791d5ece5fc/katz1.jpg</image:loc>
      <image:title>Blog - Allison Katz and Julien Creuzet - Make it stand out</image:title>
      <image:caption>Allison Katz, The Other Side, 2021, courtesy the artist and Luhring Augustine, New York. Photographed at Camden Art Centre by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/46760ea6-3fb9-4fb3-841d-d52cbc0bc2f2/creuzet1.JPG</image:loc>
      <image:title>Blog - Allison Katz and Julien Creuzet - Make it stand out</image:title>
      <image:caption>Julien Creuzet, Too blue, too deep, too dark we sank, meandering every moving limb. In the den, in the womb. Too bèlè, too gwo-ka, too biguine, too compass, too kadans, too calypso, too mazurka, too makossa, in my joyful sadness (…), exhibition view, photographed at Camden Art Centre by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/936de724-4e0f-4d32-931f-ff30941b7cea/creuzet2.JPG</image:loc>
      <image:title>Blog - Allison Katz and Julien Creuzet - Make it stand out</image:title>
      <image:caption>Julien Creuzet, Too blue, too deep, too dark we sank, meandering every moving limb. In the den, in the womb. Too bèlè, too gwo-ka, too biguine, too compass, too kadans, too calypso, too mazurka, too makossa, in my joyful sadness (…), exhibition view, photographed at Camden Art Centre by the author</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/top-5-art-museum-membership-schemes-in-london-are-they-worth-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/dd38ade4-ca8b-4918-a7b5-e01dde2c777f/Christmas+3.jpg</image:loc>
      <image:title>Blog - Top 5 Art Museum Membership Schemes in London – are they worth it? - Make it stand out</image:title>
      <image:caption>Santa at the National Gallery, Credit: Boo Productions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d3df0452-c039-49c6-a666-a749d918c20e/William+Hogarth+-+A+Scene+from+%27The+Beggar%27s+Opera%27+VI.jpg</image:loc>
      <image:title>Blog - Top 5 Art Museum Membership Schemes in London – are they worth it? - Make it stand out</image:title>
      <image:caption>William Hogarth, A Scene from ‘The Beggar’s Opera’ VI, 1731, Tate. Currently on display at Hogarth and Europe, 3 November 2021 - 20 March 2022, Tate Britain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/14110a97-5402-4834-a3fa-8406e032f801/VA_Caf%2B%C2%AC__VA_Images.JPG</image:loc>
      <image:title>Blog - Top 5 Art Museum Membership Schemes in London – are they worth it? - Make it stand out</image:title>
      <image:caption>V&amp;A Café, V&amp;A Press Office</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/39c12a09-384f-45fe-834e-ad28b645dcde/1906%2C1220%2C0.533+Under+the+Wave+off+Kanagawa.jpg</image:loc>
      <image:title>Blog - Top 5 Art Museum Membership Schemes in London – are they worth it? - Make it stand out</image:title>
      <image:caption>Katsushika Hokusai, Under the Wave off Kanagawa (The Great Wave), from the series Thirty-Six Views of Mount Fuji, c. 1831. Colour woodblock, The British Museum, London. © The Trustees of the British Museum Currently on display at Hokusai: The Great Picture Book of Everything, 30 September 2021 - 30 January 2022, The British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f3efed3b-d7d4-4178-94bb-950caa01ca37/Credit+-+Photograph+by+P.+Graham%2C+Wonderhatch+%28%40wearewonderhatch%29++%283%29.jpg</image:loc>
      <image:title>Blog - Top 5 Art Museum Membership Schemes in London – are they worth it? - Make it stand out</image:title>
      <image:caption>Sir Hugh Casson Room, Royal Academy of Arts, London © P. Graham, Wonderhatch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/fcf84d38-5e97-48f5-ae80-7fc909359ca7/Christmas+2.jpg</image:loc>
      <image:title>Blog - Top 5 Art Museum Membership Schemes in London – are they worth it? - Make it stand out</image:title>
      <image:caption>Santa at the National Gallery, credit Boo Productions</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/hokusai-to-kusama-via-kew-japanese-art-in-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/da747526-e5e4-419b-822b-0367a8917549/1906%2C1220%2C0.533+Under+the+Wave+off+Kanagawa.jpg</image:loc>
      <image:title>Blog - A Great Wave of Japanese art in London - Make it stand out</image:title>
      <image:caption>Katsushika Hokusai, Under the Wave off Kanagawa (The Great Wave), from the series Thirty-Six Views of Mount Fuji, c. 1831. Colour woodblock, British Museum, London. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/0de60328-0dea-400f-a990-30e3df21e2dd/2020%2C3015.10.jpg</image:loc>
      <image:title>Blog - A Great Wave of Japanese art in London - Make it stand out</image:title>
      <image:caption>Hokusai, Two cats by hibiscus. Preparatory drawing (hanshita-e) for an illustrated book, mounted on card. Ink on paper. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/ef4539e6-9e8b-4377-a6f8-295d9437ba51/1613716988.jpg</image:loc>
      <image:title>Blog - A Great Wave of Japanese art in London - Make it stand out</image:title>
      <image:caption>Hokusai, Buddhist guardian kings Mahesvara, Asura and Gandharva. Preparatory drawing (hanshita-e) for an illustrated book, mounted on card. Ink on paper. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/4eb49256-4c9c-4cce-a62f-504de3e61b9e/2020%2C3015.81.jpg</image:loc>
      <image:title>Blog - A Great Wave of Japanese art in London - Make it stand out</image:title>
      <image:caption>Hokusai, A bolt of lightning strikes Virūḍhaka dead. Preparatory drawing (hanshita-e) for an illustrated book, mounted on card. Ink on paper. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a95ee9b6-e2f8-4a15-9512-b6edec1c958d/1613717103.jpg</image:loc>
      <image:title>Blog - A Great Wave of Japanese art in London - Make it stand out</image:title>
      <image:caption>Hokusai, Two men holding torches that Emperor Wu made from the marrow of a red leopard, which did not extinguish even in torrential rain. Preparatory drawing (hanshita-e) for an illustrated book, mounted on card. Ink on paper. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7cd943a7-dfb1-4e78-aa23-575727d20bbd/ShiotaOneThousandSprings.jpg</image:loc>
      <image:title>Blog - A Great Wave of Japanese art in London - Make it stand out</image:title>
      <image:caption>Chiharu Shiota, One Thousand Springs, 5000 haiku poems on paper suspended within the threads, Kew Gardens. Photograph by the author, October 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2021535e-69f8-4dec-8f46-95de78d223ed/Kusama+Chandelier+of+Grief.jpg</image:loc>
      <image:title>Blog - A Great Wave of Japanese art in London - Make it stand out</image:title>
      <image:caption>Yayoi Kusama, Chandelier of Grief 2016/2018, Tate. Presented by a private collector, New York 2019. © YAYOI KUSAMA. Courtesy Ota Fine Arts and Victoria Miro</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/blog/is-the-pandemic-prompting-a-resurgence-in-painting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1633356380201-I3TOC139F2M8CSG1VYB6/tiesennotespainting1.gif</image:loc>
      <image:title>Blog - Is the pandemic prompting a resurgence in painting? - Make it stand out</image:title>
      <image:caption>Tasha Amini, Sleep Relay, 2019, Oil on canvas, Courtesy the artist (photographed at Mixing It Up: Painting Today, Hayward Gallery)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1633356121080-3LGRKILZ5XNDQ5V38ZNZ/tiesennotespainting2.jpg</image:loc>
      <image:title>Blog - Is the pandemic prompting a resurgence in painting? - Make it stand out</image:title>
      <image:caption>Lisa Brice, Charley, 2020, Ink, synthetic tempera, pencil crayon on linen mounted on wooden panel, Courtesy the artist; Stephen Friedman Gallery, London; Salon 94, New York; and Goodman Gallery, South Africa (photographed at Mixing It Up: Painting Today, Hayward Gallery)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1633356833365-JXMAJSS705LPIIE51N8Y/tiesennotespainting3.gif</image:loc>
      <image:title>Blog - Is the pandemic prompting a resurgence in painting? - Make it stand out</image:title>
      <image:caption>Mohammed Sami, Family Issues II, 2020, Mixed media on canvas, Courtesy of the artist and Modern Art, London (photographed at Mixing It Up: Painting Today, Hayward Gallery)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1633357669136-XKO6TNDU4RC24U7GLP8N/tiesennotespainting4.jpg</image:loc>
      <image:title>Blog - Is the pandemic prompting a resurgence in painting? - Make it stand out</image:title>
      <image:caption>Louise Giovanelli, Prairie, 2021, Oil on canvas, Collection of Daniel Fabian (photographed at Mixing It Up: Painting Today, Hayward Gallery)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1633357820776-ZUX5JQBYM4PQM3VTE604/tiesennotespaintings5.gif</image:loc>
      <image:title>Blog - Is the pandemic prompting a resurgence in painting? - Make it stand out</image:title>
      <image:caption>Samara Scott, Chrysanthemums, 2021, Plexiglass, shampoo, corn oil, broken glass, hair gel, food colouring, pigments, sandwich bags, mouth wash, found objects, Courtesy of The Sunday Painter Gallery (photographed at Mixing It Up: Painting Today, Hayward Gallery)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1633358527295-UOSECT0U5NGAAECF04XX/tiesennotespainting6.jpg</image:loc>
      <image:title>Blog - Is the pandemic prompting a resurgence in painting? - Make it stand out</image:title>
      <image:caption>Summer Exhibition 2021, Royal Academy of Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/1633358840600-MJTG8AFSUX4AN6LUVVSI/tiesennotespainting7.jpg</image:loc>
      <image:title>Blog - Is the pandemic prompting a resurgence in painting? - Make it stand out</image:title>
      <image:caption>Michael Armitage, The Chicken Thief, 2019, Oil on Lubugo bark cloth, Courtesy the artist and White Cube (photographed at Michael Armitage: Paradise Edict, Royal Academy)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/articles</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-09</lastmod>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/articles/why-are-plastic-brides-always-alone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/5e05993a-6843-478c-8b60-6fc07f5270b8/Installation+view+of+Focus+Kazakhstan+-+Postnomadic+Mind%2C+London%2C+2018%2C+Photo+by+Thierry+Bal.jpg</image:loc>
      <image:title>Articles - Why are plastic brides always alone? - Make it stand out</image:title>
      <image:caption>Saule Suleimenova’s Kelin exhibited at ‘Focus Kazakhstan - Postnomadic Mind’, London, 2018, Photo by Thierry Bal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3c668388-bf08-4830-9f89-a53c9509f629/Saule+Suleimenova%2C+Umai%2C+from+AstanaLine%2C+2015-6%2C+acrylic+on+photo+print+on+canvas.jpg</image:loc>
      <image:title>Articles - Why are plastic brides always alone? - Make it stand out</image:title>
      <image:caption>Saule Suleimenova, Umai, from AstanaLine, 2015-6, acrylic on photo print on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/7eb6452b-812c-406e-8e4c-750c6bd41825/Saule+Suleimenova%2C+Kudalar+%28relatives+through+marriage%29%2C+plastic+bags+on+recycled+polyethylene%2C+2021.JPG</image:loc>
      <image:title>Articles - Why are plastic brides always alone? - Make it stand out</image:title>
      <image:caption>Saule Suleimenova, Kudalar (relatives through marriage), plastic bags on recycled polyethylene, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/a1b61229-17c6-4cc7-a094-213a7ddc346c/Saule+Suleimenova%2C+Kelin+%28Bride%29%2C+plastic+bags+on+polycarbonate%2C+2015.jpg</image:loc>
      <image:title>Articles - Why are plastic brides always alone? - Make it stand out</image:title>
      <image:caption>Saule Suleimenova, Kelin (Bride), plastic bags on polycarbonate, 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/articles/silks-synthetics-and-society-how-one-artist-turns-fabrics-into-political-statements</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2ea1c9bc-3a45-45f5-a46c-2236569bbb75/Gulnur+in+her+studio%2C+photo+by+Estefania+Landesmann.jpg</image:loc>
      <image:title>Articles - Silks, synthetics and society: how one artist turns fabrics into political statements - Make it stand out</image:title>
      <image:caption>Gulnur in her studio, photo by Estefania Landesmann</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/2855c2d9-210d-4c4f-8545-938e6eedf736/Gulnur+Mukazhanova%2C+Post+Nomadic+Reality+%28Yellow%29%2C+2019.jpg</image:loc>
      <image:title>Articles - Silks, synthetics and society: how one artist turns fabrics into political statements - Make it stand out</image:title>
      <image:caption>Gulnur Mukazhanova, Post Nomadic Reality (Yellow), 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/8df086f3-4a97-42dc-b546-95c17f435aa7/Gulnur+Mukazhanova%2C+Mankurts+in+Megapolis%2C+photo+by+Thierry+Bal.jpg</image:loc>
      <image:title>Articles - Silks, synthetics and society: how one artist turns fabrics into political statements - Make it stand out</image:title>
      <image:caption>Gulnur Mukazhanova, Mankurts in Megapolis, 2018, photo by Thierry Bal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/042bed9b-fb38-4543-bfa4-17fea6ee3a83/Gulnur+Mukazhanova%2C++False+Hope%2C+or+Moment+of+the+Present%2C+photo+by+Thierry+Bal.jpg</image:loc>
      <image:title>Articles - Silks, synthetics and society: how one artist turns fabrics into political statements - Make it stand out</image:title>
      <image:caption>Gulnur Mukazhanova, False Hope, or Moment of the Present, 2018, photo by Thierry Bal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/d3783ed2-881f-4db0-8563-502227ae495b/Gulnur%2C+photo+by+Estefania+Landesmann.jpg</image:loc>
      <image:title>Articles - Silks, synthetics and society: how one artist turns fabrics into political statements - Make it stand out</image:title>
      <image:caption>Gulnur, photo by Estefania Landesmann</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/articles/how-digital-artist-almagul-menlibayeva-weaves-a-yarn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/c839527d-9aa2-4f6d-b705-789034fbf90e/during+a+solar+eclipse.jpeg</image:loc>
      <image:title>Articles - How digital artist Almagul Menlibayeva weaves a yarn - Make it stand out</image:title>
      <image:caption>Almagul Menlibayeva, During a Solar Eclipse, 2009, 71x100 cm, c-Print, Almagul Menlibayeva ©</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/f3c5d41d-1ac4-4556-9f9e-7d55ee366389/red+butterfly.jpeg</image:loc>
      <image:title>Articles - How digital artist Almagul Menlibayeva weaves a yarn - Make it stand out</image:title>
      <image:caption>Almagul Menlibayeva, Red Butterfly, 2012, duratrans lightbox, 36 x 48 in. (91 x 122cm). Almagul Menlibayeva ©</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/5058a2dd-fc31-493f-83c2-d084a608ebd9/global+entry+1.jpeg</image:loc>
      <image:title>Articles - How digital artist Almagul Menlibayeva weaves a yarn - Make it stand out</image:title>
      <image:caption>Allmagul Menlibayeva, The Global Entry 1, 2011, duratrans print in lightbox, 36x48in. (91x122cm). Almagul Menlibayeva ©  Collection Louis Vuitton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/3774d8f4-2686-444a-83fe-c5e2b1ef2a0c/post+human.jpeg</image:loc>
      <image:title>Articles - How digital artist Almagul Menlibayeva weaves a yarn - Make it stand out</image:title>
      <image:caption>Almagul Menlibayeva, Post Human Feministic Shamanism, 2018, 120 x 90cm, Inkjet print on archival paper, Almagul Menlibayeva ©</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/articles/yurts-blankets-and-plastic-bridal-gowns-the-craft-tradition-and-contemporary-kazakh-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/457864b4-2893-42a5-a122-82b831fce1b2/almagul+menlibayeva.png</image:loc>
      <image:title>Articles - Yurts, blankets and plastic bridal gowns: the craft tradition and contemporary Kazakh art - Make it stand out</image:title>
      <image:caption>Almagul Menlibayeva, video still 1 Butterflies of Aisha Bibi, 2010, HD video, Sound OMFO, single channel, 10 min, Production Kazakhstan, Courtesy American-Eurasian Art Advisors LLC, Almagul Menlibayeva ©</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/cc943063-ceed-4285-8eae-280729492577/Focus+Kazakhstan+-+Postnomadic+Mind+-Thierry+Bal+-+13.jpg</image:loc>
      <image:title>Articles - Yurts, blankets and plastic bridal gowns: the craft tradition and contemporary Kazakh art - Make it stand out</image:title>
      <image:caption>Gulnur Mukazhanova, Transformation of traditional values during Globalization, #3, sheep wool felted masks, handmade and glued together, 2013-2016, 320x200. Photo by Thierry Bal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61571546038149403df819c4/e15688a0-0d8f-4ba8-abe1-c42cf9f10f84/Installation+view+of+Focus+Kazakhstan+-+Postnomadic+Mind%2C+London%2C+2018%2C+Photo+by+Thierry+Bal.jpg</image:loc>
      <image:title>Articles - Yurts, blankets and plastic bridal gowns: the craft tradition and contemporary Kazakh art - Make it stand out</image:title>
      <image:caption>Saule Suleimenova, Kelin (Bride), 2015, plastic bags on polycarbonate, 600x400cm. Photo by Thierry Bal</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.tiesennotes.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-15</lastmod>
  </url>
</urlset>

