Exhibitions

Aliya de Tiesenhausen Aliya de Tiesenhausen

Beyoncé and the Louvre. Why museums need more popstars?

Do museums need popular culture to shake them up a bit? For sure. This trail led me to art works I have never considered seeing previously. It has also allowed me to consider them in the current context. Could museums go further and expand their trails without the help of popstars? It would certainly be a worthy exercise. Beyoncé and Jay-Z already suggested some routes – women, colonialism, race, humanity, and animals (where would be without them?) – all that is left is to follow them.

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Aliya de Tiesenhausen Aliya de Tiesenhausen

Can one mend trauma with a thread?

New exhibitions from Louise Bourgeois and Gulnur Mukazhanova can be disturbing, or they can be healing – depending on where you are at, emotionally and psychologically.

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Aliya de Tiesenhausen Aliya de Tiesenhausen

Who is Kehinde Wiley?

Wiley makes attractive and impressive visual works – whether paintings or video – to capture the viewer’s attention and then make statements and observations about our contemporary society, the environment, and the role of history. He questions our preconceptions about race today, but also questions where those preconceptions came from. We ask who is Kehinde Wiley, he wants us to ask: who are we?

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Aliya de Tiesenhausen Aliya de Tiesenhausen

Allison Katz and Julien Creuzet

Parallel exhibitions at Camden Art Centre. One deals with the nature and meaning of art, there other with colonialism, cultural histories and the environment.

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